Lohengrin, WWV 75: Act III, Sc. 3, Lohengrin's Narrative (Grail Narration): In fernem Land [tenor; excerpt] Cover Image

Lohengrin, WWV 75: Act III, Sc. 3, Lohengrin's Narrative (Grail Narration): In fernem Land [tenor; excerpt]: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts (EDWIN F KALMUS)

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Lohengrin, WWV 75: Act III, Sc. 3, Lohengrin's Narrative (Grail Narration): In fernem Land [tenor; excerpt] Cover Image

Lohengrin, WWV 75: Act III, Sc. 3, Lohengrin's Narrative (Grail Narration): In fernem Land [tenor; excerpt]: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts (EDWIN F KALMUS)

By Richard Wagner/ Libretto by Richard Wagner. German.

Item: 36-A391902

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Description
Finished in 1848 and premiered in 1850 in Weimar, Germany, Richard Wagner's (1813-1883) Lohengrin tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princess in Brabant, is rescued and wedded by a knight in shining armor who insists on remaining nameless. The opera received its premiere on August 18, 1850, at the Court Theatre in Weimar, conducted by Franz Liszt while Wagner himself was living in exile after the 1849 Dresden uprising. Today Lohengrin stands as one of Wagner's most frequently performed operas, occupying a central place between his early Romantic style and his later music dramas. Near the conclusion of the opera, after Elsa has broken her vow never to ask her husband's name or origin, Lohengrin is compelled to reveal his true identity before departing forever. In the celebrated Grail Narration, "In fernem Land," he discloses that he is a knight of the Grail, sent from the sacred realm of Monsalvat to defend innocence and justice. The aria serves as both the dramatic and spiritual climax of the work. Instrumentation: 3.3.3.3: 4.3.3.1: Timp.Perc(1): Str (4.4.3.3.3 in set): Solo Tenor. Reprint edition.

Lohengrin, WWV 75: Act III, Sc. 3, Lohengrin's Narrative (Grail Narration): In fernem Land [tenor; excerpt]: Serious Opera, Orchestra Accompaniment, Conductor Score & Parts (EDWIN F KALMUS) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Kalmus Opera Library
UPC: 604634090576
SKU: 36-A391902
Instrumentation: 3.3.3.3: 4.3.3.1: Timp.Perc(1): Str (4.4.3.3.3 in set): Solo Tenor

More about this title

About the Composer: Richard Wagner

Richard Wagner (1813-1883) revolutionized operatic form by rejecting the compartmentalized structure of earlier operas, instead weaving music and drama into unified wholes. His work fundamentally shaped how composers approached the relationship between orchestra and voice, moving toward what he termed the "music drama" where all elements serve the narrative.

Wagner's influence on music education extends beyond his operas themselves. His scores demand singers with dramatic conviction and vocal stamina, orchestras capable of sophisticated ensemble work, and conductors who understand both interpretive subtlety and large-scale structural architecture. His later works, in particular, have become central to training advanced musicians in expressive depth and technical complexity.

Why we love this

Few soprano roles carry the weight and spiritual resonance of this narration, and staging it gives your advanced singers a chance to inhabit genuine dramatic consequence. The aria sits at the emotional and musical heart of the opera, requiring the tenor to communicate vulnerability, nobility, and inevitability simultaneously. Programming this excerpt means your singers encounter one of opera's most psychologically complex moments, where power emerges not from volume but from vocal transparency and emotional honesty.

What to expect

The music unfolds with ceremonial reverence, invoking a sacred realm through Wagner's rich harmonic language and sweeping orchestral gestures. The tenor's voice moves through passages of introspection and sudden luminosity, as though the character is simultaneously remembering a distant homeland and acknowledging an ending that cannot be stopped. By turns intimate and transcendent, the narration builds an atmosphere where every phrase carries spiritual weight.

Who it's for

Advanced tenor soloists with dramatic maturity and stamina, opera directors preparing singers for demanding Wagner roles, and ensembles seeking a substantial showcase piece that demonstrates orchestral refinement. This excerpt works best in concert settings or fully staged productions where both orchestra and soloist can be heard with clarity.

How to get the most out of it

  • Shape the vocal line as a confession rather than a proclamation. Lohengrin reveals sacred truth, but he does so with restraint and resignation, not triumph.
  • Establish a steady, unhurried tempo that honors the spiritual weight of the text. This narration must breathe; it cannot rush.
  • Balance the tenor's line against the orchestral color carefully. The instrumentation swells, but never overwhelm the vulnerability of the sung melody.
  • Pay close attention to Wagner's dynamic markings and sudden shifts in orchestration. These transitions signal moments of internal struggle or revelation.

How to use it

Position this as a concert centerpiece for an advanced opera showcase or as the emotional pivot point in a semi-staged Wagner program featuring multiple excerpts. Pairing it with selections from other parts of Act III creates narrative continuity, or it can stand alone as a demonstration of both vocal and orchestral sophistication. Consider programming it late in a concert when your audience is fully engaged and when the soloist and orchestra are performing at peak alertness.

Skills your students will build

  • Sustaining legit dramatic tenor tone across extended passages with full orchestra
  • Navigating Wagner's complex harmonic language and intonation demands
  • Coordinating with a large orchestral ensemble while maintaining interpretive agency
  • Building and releasing dramatic tension through phrasing across multiple musical and textual phrases
  • Executing German diction with clarity and musicality under sustained vocal demands

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