Loggins & Messina: Guitar Anthology Series Cover Image

Loggins & Messina: Guitar Anthology Series: Authentic Guitar TAB Book

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Loggins & Messina: Guitar Anthology Series Cover Image

Loggins & Messina: Guitar Anthology Series: Authentic Guitar TAB Book

Loggins & Messina

Item: 00-PG9710

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Description
Titles are: Angry Eyes * Back to Georgia * Danny's Song * House at Pooh Corner * Listen to a Country Song * A Love Song * My Music * Peace of Mind * Thinking of You * Vahevala * Watching the River Run * Your Mama Don't Dance.

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Additional Details
Series: Guitar Anthology Series
Publisher: Alfred Music
Page Count: 88
ISBN10: 1-57623-968-3
ISBN13: 978-1-57623-968-1
UPC: 029156605228
SKU: 00-PG9710

More about this title

About the Artist: Kenny Loggins

Kenny Loggins emerged as one of pop-rock's most distinctive voices in the 1970s, first gaining recognition as the younger half of Loggins & Messina alongside Jim Messina. His songwriting gift for narrative lyrics and memorable melodic hooks made him a fixture on radio and in concert halls throughout the decade and beyond. Loggins went on to a successful solo career while maintaining the collaborative spirit that defined his early work.

As a guitarist and vocalist, Loggins brought an accessible yet sophisticated approach to rock composition. His influence on popular music education extends through the enduring appeal of his catalog, which remains a staple in guitar programs for its combination of technical interest and immediate musicality.

Why we love this

This collection captures the essential guitar vocabulary of 1970s pop-rock at a level that rewards serious study without overwhelming intermediate players. The TAB transcriptions preserve the exact voicings and fingerings from the original recordings, so students learn how these songs actually sound rather than settling for chord-chart approximations. Programming repertoire from this era gives guitarists permission to explore sophisticated song structures and playing styles they hear on the radio.

What to expect

These songs land somewhere between folk-inflected storytelling and radio-ready rock. Warm vocal melodies sit over fingerpicked and strummed guitar lines that feel both uncluttered and deeply composed. There's an ease to the playing that masks considerable harmonic sophistication and attention to arrangement detail.

Who it's for

Guitar students working at the intermediate level who want authentic transcriptions of repertoire they actually want to play. This book serves guitarists preparing recital pieces, ensemble members looking to add recognizable material to their performance vocabulary, and self-taught players seeking reliable transcriptions with accurate TAB and fingering guidance.

How to get the most out of it

  • Pay attention to dynamic shaping between verses and choruses. These songs rely on restraint in the quieter sections to make the fuller arrangements breathe.
  • Study the recorded versions to understand the interplay between acoustic and electric guitar parts. Some tracks layer both instruments; knowing which lines you're responsible for prevents muddiness.
  • Lock the tempo early. Songs like 'Danny's Song' have deceptively simple grooves that fall apart if the pocket loosens.
  • Work fingerstyle passages slowly and deliberately. The TAB shows you where to finger, but consistent tone and timing between fingers take repetition.

How to use it

Integrate selections from this anthology into a semester-long unit on 1970s singer-songwriter tradition, pairing them with folk and country influences to trace the lineage of contemporary pop-rock. Individual songs work well as recital choices because they offer enough musical substance to sustain listener attention while remaining accessible to audiences beyond music majors. Consider 'Danny's Song' or 'House at Pooh Corner' as ensemble or small-group arrangements.

Skills your students will build

  • Reading and executing guitar TAB with accurate fingering and hand positioning
  • Fingerstyle technique including alternating bass patterns and syncopated pick-and-finger combinations
  • Chord voicing and voice-leading across multiple strings
  • Dynamic control and shaping through varied articulation and attack
  • Transcription listening and comparison between written notation and recorded performance
  • Stylistic interpretation of 1970s pop-rock idiom

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