Locked Out of Heaven: Percussion Ensemble Score & Parts
For Mallet Ensemble, Bass Guitar, Timpani, Congas, and Drumset (9 Players)
Words and music by Philip Lawrence, Bruno Mars, and Ari Levine / arr. Patrick Moore
Item: 00-PK-0006339
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Locked Out of Heaven: Score | $8.00 | |
| Locked Out of Heaven: Bells | $3.00 | |
| Locked Out of Heaven: Xylophone | $3.00 | |
| Locked Out of Heaven: Vibraphone | $3.00 | |
| Locked Out of Heaven: Mallets | $3.00 | |
| Locked Out of Heaven: 2nd Mallet Percussion | $3.00 | |
| Locked Out of Heaven: Electric Bass | $3.00 | |
| Locked Out of Heaven: Timpani | $3.00 | |
| Locked Out of Heaven: 1st Percussion | $3.00 | |
| Locked Out of Heaven: Drums | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Locked Out of Heaven: Percussion Ensemble Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: Philip Lawrence
Philip Lawrence is a songwriter and producer who has shaped the sound of modern pop and R&B. His collaborative work with Bruno Mars and The Smeezingtons production team helped define the sonic landscape of the 2010s, blending retro funk, soul, and rock influences with contemporary production sensibilities. Lawrence's arrangements and compositional choices consistently prioritize groove, accessibility, and infectious melodic hooks that translate across genres and generations.
Why we love this
Patrick Moore's arrangement captures the infectious groove and energy of the original without losing the song's defining character. The percussion ensemble format makes this accessible to groups of varying sizes and skill levels while maintaining the funk and swagger that made the track a global hit. It's rare to find contemporary pop hits arranged so thoughtfully for percussion ensembles, and this one lands perfectly between approachable and musically satisfying.
What to expect
Infectious and irresistible, with layers of funk and rhythmic drive that keep the energy high from start to finish. The piece captures the jubilant, feel-good character of the original, with crisp articulation, syncopated patterns, and plenty of moments where the ensemble locks together in pure rhythmic satisfaction.
Who it's for
Percussion ensembles at the middle school through adult level will find this arrangement engaging and rewarding. Directors seeking contemporary repertoire that excites students while developing groove, coordination, and listening skills will appreciate how this sits at the intersection of accessibility and musicality.
How to get the most out of it
- Lock in the kick drum and bass drum patterns early in rehearsal; the groove's pocket depends entirely on rhythmic precision in the lowest voices.
- Treat the mallet hits with clarity and separation. Let each pitch speak distinctly rather than blurring the articulation, especially in the faster passages.
- Balance the ensemble so the melodic elements (vibraphone, xylophone, marimbas) cut through without drowning out the rhythmic foundation.
- Use the recorded accompaniment (available separately) to build confidence in your part-specific rhythms before integrating the full ensemble.
How to use it
This works beautifully on a concert devoted to contemporary music or pop repertoire, offering audiences a track they likely know and enjoy. It also serves as an excellent mid-year or spring program selection when you want to showcase your ensemble's ability to execute tight grooves and contemporary styles. The 36-page score and parts allow for flexible ensemble sizing, making it adaptable to your available personnel.
Skills your students will build
- Locking into a consistent funk groove across multiple percussion voices
- Syncopated rhythm reading and coordination with ensemble partners
- Articulation and clarity on mallet instruments within a dense texture
- Balance and blend between pitched and unpitched percussion layers
- Ensemble listening and responding to rhythmic cues in real time