Locked Out of Heaven Cover Image

Locked Out of Heaven: Percussion Ensemble Score & Parts

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Locked Out of Heaven Cover Image

Locked Out of Heaven: Percussion Ensemble Score & Parts

For Mallet Ensemble, Bass Guitar, Timpani, Congas, and Drumset (9 Players)

Words and music by Philip Lawrence, Bruno Mars, and Ari Levine / arr. Patrick Moore

Item: 00-42668

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Description
"Locked Out of Heaven" is the lead single off Unorthodox Jukebox (2012), the second studio album from American singer/songwriter Bruno Mars. A new wave, funk, and reggae rock song about the rapturous feelings brought about by a relationship infused with positive emotions, it was a huge commercial success quickly after its release on October 1, 2012. The song topped the Billboard Hot 100 for six consecutive weeks and the Canadian Hot 100 for three consecutive weeks, while also charting inside the Top 10 in 20 countries.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Locked Out of Heaven: Percussion Ensemble Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred's Pop Mallet Ensemble Series
Publisher: Alfred Music
Page Count: 36
ISBN10: 1-4706-1478-2
ISBN13: 978-1-4706-1478-2
UPC: 038081481404
SKU: 00-42668

More about this title

About the Composer: Philip Lawrence

Philip Lawrence is a songwriter and producer who co-wrote "Locked Out of Heaven" alongside Bruno Mars and Ari Levine. The track became a defining moment in pop music, showcasing Lawrence's ability to craft infectious melodies and lyrics that resonate across mainstream audiences. His work spans multiple genres and has shaped contemporary pop songwriting.

Why we love this

This arrangement brings a high-energy pop hit into the percussion ensemble classroom without sacrificing the song's groove and infectious spirit. The chart captures what made "Locked Out of Heaven" such a phenomenon while remaining accessible for young percussionists who grew up with this music. Programming a contemporary hit like this energizes rehearsals and connects students to the repertoire they actually care about.

What to expect

Infectious, funky, and impossible to sit still through. The arrangement pulses with the same irresistible groove that made the original a global hit, blending funk and reggae rhythms that feel modern and live. There's joy in every measure, and the percussion writing celebrates what makes this song so satisfying to play.

Who it's for

Percussion ensembles from middle school through community band levels will find this arrangement engaging and playable. Students need solid fundamentals on their primary percussion instruments but do not require advanced or specialized technique. This works equally well for groups new to contemporary popular music or those looking to expand beyond traditional concert repertoire.

How to get the most out of it

  • Lock the hi-hat and kick drum parts early in your rehearsals; their interaction drives the entire groove and sets the foundation for all other voices.
  • Balance the mallets so the keyboard percussion cuts through without overwhelming the drums; this ensemble thrives on clarity between layers.
  • Emphasize the syncopated accents in the conga and percussion voices to nail the funk and reggae-rock character of the original.
  • Use the recorded accompaniment to establish tempo and feel, then gradually remove it as sections gain independence.

How to use it

Consider programming this as the finale of a pop or film music concert to send audiences home with energy and a smile. It pairs well alongside other contemporary hits or Bruno Mars deep cuts in a themed concert. This is also an excellent motivational piece mid-season when students need a lift and a chance to play something they recognize from streaming playlists or radio.

Skills your students will build

  • Syncopated rhythms in funk and reggae styles
  • Coordination between kick drum, hi-hat, and melody voices
  • Balance and blend within a multi-percussion texture
  • Reading percussion ensemble scores with multiple mallet and drum parts
  • Maintaining consistent groove and feel across full sections

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