Listen to the Music: SSA Choral Octavo
Words and music by Tom Johnston / arr. Kirby Shaw
Item: 00-PO-0003453
Minimum order quantity: 20 copies
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More about this title
About the Composer: Tom Johnston
Tom Johnston co-founded The Doobie Brothers in 1970 and served as the band's primary songwriter and guitarist throughout their most commercially successful period. His gift for writing memorable pop melodies with substance earned him multiple chart hits and established him as a central figure in 1970s rock music. Johnston's compositions balanced accessibility with musicianship, making his work a natural fit for choral adaptation.
Why we love this
Kirby Shaw's arrangement captures everything that made the original resonate: the infectious groove, the uplifting message, and the singable melody that hooks listeners immediately. Your singers will enjoy the pop sensibility without sacrificing vocal writing that sits naturally for SSA voices. This is the kind of contemporary classic that energizes an audience and reminds students why they love to perform.
What to expect
Bright, propulsive, and genuinely uplifting. The arrangement captures the original's effervescence, with horn-influenced riffs and a rhythm section that keeps everything buoyant. This is music designed to make singers and audiences smile.
Who it's for
Choirs at the middle school level and above will find this accessible and rewarding. Directors seeking a contemporary pop standard that maintains musical integrity while connecting with student energy will find it invaluable for concert closers and spring programming.
How to get the most out of it
- Lock in the rhythm section part early in rehearsals. The groove is the foundation; once your singers feel the pocket, the melody and harmony will sit more naturally.
- Shape the infectious hook with clear articulation and rhythmic precision. The repetition is the song's strength, so lean into the groove rather than oversinging the phrasing.
- Use the recorded accompaniment to let your singers hear how their voices blend within the full arrangement. This builds confidence and helps them understand their role in the overall sound.
- Balance the parts so the top line carries the hook without drowning out the harmonic support underneath. SSA voicing can muddy quickly without careful blend work.
How to use it
Program this as a finale or late-concert piece when you want to shift energy and leave your audience on a high note. It pairs well alongside other pop standards or secular contemporary pieces in a spring concert or celebration program. The optimistic message and infectious groove make it ideal for community concerts where accessibility matters.
Skills your students will build
- Singing in a contemporary pop style with rhythmic precision
- Blending three-part harmony with clear voice independence
- Maintaining consistent groove and groove-based phrasing
- Balancing melody and harmony in close voicing
- Responding to recorded accompaniment cues and tempos