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Listen to the Music: SAB Choral Octavo

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Listen to the Music: SAB Choral Octavo

Words and music by Tom Johnston / arr. Kirby Shaw

Item: 00-43579

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Description
With an infectious hook and great horn riffs, this 1972 classic peaked at number 11 on the Billboard Hot 100. Usually the final encore during all The Doobie Brothers' concerts, this message of hope is still relevant today.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Listen to the Music: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081491196
SKU: 00-43579

More about this title

About the Composer: Tom Johnston

Tom Johnston co-founded The Doobie Brothers in 1970 and served as the band's primary songwriter and guitarist throughout their most successful era. His gift for crafting memorable melodies and uplifting lyrics defined the group's sound during the 1970s, a period that produced multiple platinum albums and enduring radio staples. Johnston's compositions balanced commercial appeal with genuine emotional depth, earning him recognition as one of rock music's most skilled melodists.

Why we love this

This arrangement captures everything that made the original a concert staple: the irresistible groove, the accessible three-part voicing, and a message that resonates just as powerfully in a choral setting as it did on the charts. Singers connect immediately to the infectious energy and the hopeful lyric, while directors appreciate how Kirby Shaw's arrangement handles the iconic horn riffs through vocal texture rather than relying on instrumental doubling. It's the kind of piece that builds genuine enthusiasm in rehearsal and leaves audiences smiling.

What to expect

The arrangement radiates infectious optimism and forward momentum. Vocally, it sits comfortably in a middle range with enough rhythmic interest to keep singers engaged, and the three-part texture creates warmth without density. When performed with energy and clarity, this piece captures the original's appeal: a straightforward message delivered with genuine groove.

Who it's for

This piece works beautifully for SAB choirs at the middle school through community choir level, particularly those seeking contemporary repertoire with real substance. It's ideal for directors building a pop choral program or looking for an accessible encore that audiences genuinely enjoy hearing.

How to get the most out of it

  • Lock the rhythmic precision early by drilling the syncopated figures in the vocal parts that echo the original horn lines; this rhythmic clarity is what gives the arrangement its drive.
  • Blend the parts carefully during the hook so the three-part texture sits as a cohesive unit rather than isolated lines; this is especially important in the unison and two-part passages.
  • Balance the accompanying voices with confidence when the melody sits in one section; SAB voicing requires attentive part awareness so the lead voice projects without strain.
  • Use the recorded accompaniment to establish the groove and energy level, then gradually reduce your reliance on it so singers internalize the pocket and can perform independently.

How to use it

Program this as a concert closer or finale where you want to send the audience out happy; its familiar melody and feel-good message make it an audience favorite. It also pairs well in a pop or contemporary choral set, or as a strategic choice when you want to showcase your choir's rhythmic precision and blend in a non-classical context.

Skills your students will build

  • Rhythmic accuracy in syncopated pop idioms
  • Three-part blend and balance in SAB voicing
  • Interpretation of contemporary vocal arrangements
  • Maintaining groove and pocket while singing
  • Lyrical storytelling in a secular pop context

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