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Listen to the Music: SATB Choral Octavo

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Listen to the Music: SATB Choral Octavo

Music by Jay Althouse

Item: 00-5815

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Description
One of the best "music" songs we've heard in years, Listen to the Music illustrates how music is all around us. "Listen to the sound of a brand new baby grand" or a "big, brass, Dixieland band." It's all here, from "the rhythm of the city" to "the sound of a thousand voices in song." Optional treble trio on the final chorus. Ideal for Music In Our Schools Week or as a "theme" for any concert.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081016801
SKU: 00-5815

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later recognized as a Distinguished Alumnus. Early in his career, he spent eight years in rights and licensing administration for a major educational music publisher, serving simultaneously on the Executive Board of the Music Publishers Association of America.

Althouse has composed more than 800 choral works performed throughout the English-speaking world. His catalog spans all choir levels, and he is a writer member of ASCAP with a history of regular Special Award recognition. Beyond composition, he has co-created children's musicals with his wife Sally K. Albrecht, compiled influential vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and written classroom resources including Ready to Read Music and One-Page Composer Bios. His collaborative choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Althouse currently serves on the National Advisory Board of the Folk Art Society of America and resides in North Carolina.

Why we love this

This piece captures something genuine about music's omnipresence in daily life, moving beyond abstract appreciation to concrete sonic imagery. The optional treble trio on the final chorus gives you structural flexibility for mixed-age choirs, and the text's celebration of everything from piano to Dixieland makes it genuinely inclusive—students recognize their own musical worlds in the lyrics.

What to expect

Warm and observational, with genuine delight in everyday sounds. The range of musical imagery (baby grand, brass band, city rhythm, vocal ensemble) creates a collage effect that feels both organized and naturally conversational.

Who it's for

Choirs at the middle school through adult community level who want accessible, meaningful repertoire with a clear message. It works equally well for school concerts, civic performances, and Music In Our Schools Week celebrations where the text itself becomes programming.

How to get the most out of it

  • Bring the imagery to life physically; the movement and staging elements aren't decoration but essential to how the piece communicates its message about music all around us.
  • Balance the soprano line in the final chorus to keep the optional treble trio audible without drowning out the SATB foundation underneath.
  • Shape the text with conversational phrasing rather than formal diction; the piece works best when it sounds like you're genuinely observing and celebrating the music around you.

How to use it

Use this as your anchor for a Music In Our Schools Week concert, building other pieces around its thematic focus on music's cultural presence. It also serves as an effective closer or theme statement for any general concert where you want to remind audiences why choir matters.

Skills your students will build

  • Text painting and imagery interpretation
  • Blend and balance in four-part writing
  • Optional treble trio voicing and ensemble coordination
  • Expressive, conversational diction in sustained phrases
  • Integration of movement with vocal performance

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