Light The Menorah! Cover Image

Light The Menorah!: Concert Band Conductor Score & Parts

$100.00 USD
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Light The Menorah! Cover Image

Light The Menorah!: Concert Band Conductor Score & Parts

Arranged by Evan VanDoren

Grade: 4

Item: 98-RWS254400

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Description
Join in a vibrant celebration of Hanukkah! Colorful, lush harmonies give way to a rousing, lively dance sure to get the audience to its feet! "Ner Li" (I have a candle), "Hanukkah, Oh Hanukkah," and "Hava Nagila" (Let us rejoice) blend together into a musical tapestry embodying the joy and rich traditions of the holiday. Invite your audience to Light The Menorah at your next winter concert!

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Additional Details
Series: RWS - Symphony Band
Publisher: RWS Music Company
ISBN10: 1-4706-7856-X
ISBN13: 978-1-4706-7856-2
UPC: 038081602912
SKU: 98-RWS254400

More about this title

Why we love this

VanDoren's arrangement captures the festive spirit without sacrificing musical substance. The interweaving of three distinct melodies demands clean ensemble balance and careful attention to voice leading, giving your band a real workout even as the piece sparkles with holiday joy.

What to expect

Warm and celebratory, with moments of real tenderness balanced against exuberant, dancing energy. The harmonies feel generous and full without ever becoming heavy, and the piece carries an unmistakable sense of cultural pride woven through every phrase.

Who it's for

Concert bands at the Grade 4 level seeking a substantial yet accessible holiday work that treats the subject matter with genuine musicality. Directors programming winter concerts want music that engages both audience and ensemble; this delivers on both fronts.

How to get the most out of it

  • Balance the three melodic themes carefully during tutti passages so each tune remains audible rather than blending into harmonic soup. Sectional rehearsals focusing on which parts carry the tune at any given moment will pay dividends.
  • The lively dance sections need rhythmic precision from your rhythm section. Lock the eighth-note subdivisions between percussion and low brass early, then layer in the upper voices.
  • Lean into the dynamic contrasts between the lush harmonic sections and the rousing passages. Exaggerate the soft-to-loud shifts slightly more than feels natural in rehearsal; the effect will settle into something genuinely moving in performance.

How to use it

This works beautifully as the closing number of a winter concert, especially if your program includes secular holiday music or multi-cultural selections. It also fits well in December pops concerts where you want something with substance beyond the typical crowd-pleasing fare.

Skills your students will build

  • Balancing multiple melodic lines in a single sonority
  • Dynamic contrast and shaping in ensemble context
  • Rhythmic precision in both lyrical and dance-tempo sections
  • Part independence and awareness of when each voice carries harmonic or melodic responsibility

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