Lies (from "Once"): Piano/Vocal/Chords
The Swell Season
Item: 00-PS-0012026
Pickup currently not available
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Description
Lies (from "Once"): Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
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Additional Details
More about this title
About the Composer: Glen Hansard
Glen Hansard is an Irish musician and composer best known as the frontman of the Dublin post-punk band Frames. His work with Marketa Irglova in the duo The Swell Season brought international recognition, particularly through their collaboration on the 2007 film Once and its Academy Award-winning soundtrack. Hansard's compositional voice blends folk sensibilities with rock instrumentation, creating emotionally direct songs that resonate across both indie and mainstream audiences.
Why we love this
This folio captures a song from a culturally significant film soundtrack that genuine students and adult amateurs actually want to perform. The piano arrangements honor the intimate, acoustic spirit of the original while remaining singable and pianistically rewarding, making it ideal for recital programs that reach beyond classical convention.
What to expect
The song carries an understated intensity, built on fingerpicked guitar patterns now translated to piano with intimate, conversational phrasing. There's a quiet emotional honesty throughout, the kind that rewards listening to both the music and the story the lyrics tell.
Who it's for
This arrangement suits intermediate to advanced pianists and singers preparing recital repertoire, whether in a classical studio context or a contemporary music class. It works equally well for students exploring songwriting and arranging, as the piano/vocal/chord format reveals how melody, harmony, and lyric interlock.
How to get the most out of it
- Balance the vocal melody against the piano accompaniment so the lyrics remain the expressive center; the piano supports rather than competes.
- Pay attention to the rhythmic elasticity of the phrasing. These arrangements breathe naturally rather than metrically rigid, so allow rubato in the vocal line.
- Use the chord symbols to inform harmonic color and voicing; they're integral to the song's emotional arc, not just notation.
- Record yourself singing with the piano to hear how your interpretation lands; these songs reward performers who commit to vulnerability in the lyrical content.
How to use it
Feature this in a recital program that mixes classical and contemporary repertoire, or pair it with other singer-songwriter material to showcase different approaches to accompaniment. It also works in an interdisciplinary unit on film music or in a student recital focused on storytelling through song.
Skills your students will build
- Singing with stylistic rubato and conversational phrasing
- Reading and voicing chord symbols in a contemporary context
- Balancing melody and accompaniment in piano/vocal writing
- Interpreting lyrical content to inform musical interpretation