Levitating Cover Image

Levitating: Marching Band Conductor Score & Parts

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Levitating Cover Image

Levitating: Marching Band Conductor Score & Parts

As Recorded by Dua Lipa

Words and music by Clarence Coffee, Dua Lipa, Sarah Hudson, and Stephen Noel Kozmeniuk / arr. Brian Scott

Grade: 3

Item: 00-49230

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Description
Singer/songwriter Dua Lipa had a big hit with this pop-funk offering Levitating. Arranger Brian Scott captures the unique style and groove of the original. This one is pure fun! (2:01)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Levitating: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Mega Sounds for Marching Band
Publisher: Alfred Music
Page Count: 64
ISBN10: 1-4706-4729-X
ISBN13: 978-1-4706-4729-2
UPC: 038081566528
SKU: 00-49230

More about this title

Why we love this

Brian Scott's arrangement preserves the infectious groove and modern production feel of the original while making it genuinely playable for a Grade 3 band. The chart delivers that contemporary pop-funk energy without sacrificing ensemble balance or clarity, so your students get to perform a song they actually know and love.

What to expect

Buoyant and rhythmically propulsive, with that unmistakable pop-funk swagger of the original. The arrangement keeps things moving and bright, built on a foundation of steady groove and infectious energy that makes playing it as fun as listening to it.

Who it's for

Marching bands at the Grade 3 level who want to engage students with contemporary repertoire that feels current and energetic. This works especially well for bands looking to program modern pop music in a way that respects both the original and the ensemble.

How to get the most out of it

  • Lock in the rhythm section first. The groove lives in the consistency of the bass and drum parts, so spend rehearsal time getting those locked together before layering the melody and harmony.
  • Keep the funk articulation crisp and intentional. Staccatos need definition, but avoid making them sound mechanical; this is dance music, not march music.
  • Balance the synth-like lines with the ensemble sound. The arrangement includes parts that evoke electronic sounds, so use dynamic shaping to keep those voices present without overwhelming the whole band.

How to use it

Perfect as a closer or special feature on a concert when you want to shift the energy and connect with an audience that knows the song. The 2:01 runtime makes it ideal for a mixed program, and it pairs well with both traditional marching band fare and other contemporary arrangements.

Skills your students will build

  • Funk and pop articulation and phrasing
  • Maintaining steady groove in ensemble context
  • Reading syncopated rhythm patterns in a contemporary style
  • Balancing melody, harmony, and rhythm parts in groove-based music

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