Let's Do It (Let's Fall in Love) Cover Image

Let's Do It (Let's Fall in Love): Full Orchestra, Full Score

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Let's Do It (Let's Fall in Love) Cover Image

Let's Do It (Let's Fall in Love): Full Orchestra, Full Score

By Cole Porter, arr. Mike Lewis

Grade: 4

Item: 36-50205044

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Description
This lovely Cole Porter tune is of unmatched loveliness. This Mike Lewis arrangement shows the depth of harmonic richness you would expect from these writers. 2.1+EH.1+BCl.2: 2.2.0.0: 1 Jazz Bass. 1 Drum Set. 1 Vib: Str 9.8.7.6.5

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Additional Details
Series: PopsMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-68-296631-3
ISBN13: 978-1-68-296631-0
UPC: 660355128080
SKU: 36-50205044
Instrumentation: 2.1+EH.1+BCl.2: 2.2.0.0: 1 Jazz Bass. 1 Drum Set. 1 Vib: Str 9.8.7.6.5

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) composed some of the most sophisticated and witty songs in American musical theater. His melodies are immediately memorable, yet his harmonic language demonstrates genuine compositional depth, which is partly why his work has endured across jazz, pop, and concert settings for over a century.

Why we love this

Mike Lewis's arrangement reveals the harmonic complexity that made Porter's songwriting legendary, transforming a beloved standard into a rich orchestral canvas. The Grade 4 voicing keeps the piece accessible while honoring the sophisticated jazz-influenced chord progressions that make this tune rewarding to conduct and play.

What to expect

Charming and harmonically warm, with the elegance Porter's melodies naturally possess. The orchestration draws you into an intimate, sophisticated world where every voice seems to serve the melody's romantic arc.

Who it's for

This score works beautifully for orchestras at the upper-intermediate to early-advanced level who want to expand beyond standard pops fare into the sophisticated jazz-pop repertoire. It's an excellent choice for concert programs that celebrate American songwriting.

How to get the most out of it

  • Balance the rhythm section carefully; the jazz bass and drum set need clear articulation and pocket awareness so the orchestra doesn't drag or rush against their swing feel.
  • Let the vibraphone breathe as a featured voice in the arrangement rather than burying it in the ensemble.
  • Shape the phrase arcs with the English horn and bass clarinet, which likely carry important harmonic colors in this Porter-inspired voicing.

How to use it

Position this in a pops or American songbook concert alongside other standards or contemporary pop arrangements to create a cohesive evening of accessible, high-quality orchestral writing. It also serves as a gateway piece for orchestras developing comfort with jazz-influenced ensemble playing.

Skills your students will build

  • Balancing ensemble voices while maintaining rhythmic clarity against swing-feel accompaniment
  • Reading and performing jazz-influenced harmonic language and chord extensions
  • Coordinating with non-traditional orchestral instruments (vibraphone, jazz bass, drum set)
  • Ensemble intonation in rich, chromatic harmonic contexts

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