Let Me Weep (Lascia ch'io pianga) (from <i>Rinaldo</i>) Cover Image

Let Me Weep (Lascia ch'io pianga) (from <i>Rinaldo</i>): Trumpet & Strings Part(s)

$20.00 USD
Sale price  $20.00 USD Regular price 
Skip to product information
Let Me Weep (Lascia ch'io pianga) (from <i>Rinaldo</i>) Cover Image

Let Me Weep (Lascia ch'io pianga) (from Rinaldo): Trumpet & Strings Part(s)

By George Frederic Handel / arr. David Marlatt

Level: Medium

Item: 81-ST2022

$20.00
Shipped

One moment…

Description
This beautiful slow piece is ideal for that change of pace piece on a concert. Its lyric nature also makes it a perfect selection for weddings or church services as pleasant, quiet background music. This work was originally a soprano aria and the lyrical line is great to demonstrate the singing quality of the trumpet. This version is for trumpet and strings and there is also a version for trumpet and keyboard (piano or organ) available.

Let Me Weep (Lascia ch'io pianga) (from Rinaldo): Trumpet & Strings Part(s) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-562-3
ISBN13: 978-1-55472-562-5
UPC: 685462008223
SKU: 81-ST2022
Instrumentation: Trumpet & Strings

More about this title

About the Composer: George Frederic Handel

George Frideric Handel (1685-1759) mastered the art of crafting memorable, singable melodies that remain central to music education repertoire three centuries after they were written. His operas and oratorios established him as a defining voice of the Baroque era, and his gift for lyrical melody made the transition from stage to instrumental arrangements remarkably natural.

For brass educators, Handel's work offers an ideal bridge between technical facility and genuine musicality. His phrases breathe naturally, his harmonic language is clear and accessible, and his melodies sing even when performed on instruments far removed from the human voice. This makes his music particularly valuable for developing players who need to understand phrasing, tone control, and the relationship between musical line and accompaniment.

Why we love this

This arrangement gives trumpet players a chance to explore the legit, cantabile playing that separates mature musicianship from merely accurate note-reading. The lyrical content asks something different of your section without abandoning their core technical skills. String accompaniment transforms what could feel like a solo piece into genuine chamber music, and the Baroque harmonic language sits comfortably in the ears of musicians and audiences alike.

What to expect

The music unfolds with quiet dignity and genuine emotional resonance. Handel's melody floats above gentle string harmonies in a way that feels both intimate and timeless, creating space for reflection without demanding dramatic intensity. The slow pace and clear harmonic structure provide room for the trumpet to breathe expressively while the accompaniment offers steady, tasteful support.

Who it's for

Intermediate to advanced trumpet players looking for repertoire that develops lyrical, singing tone quality and phrase architecture. This arrangement works equally well for soloists preparing contest or recital material and for section leaders in orchestral or wind ensemble settings seeking a substantive slow movement.

How to get the most out of it

  • Shape the melodic line with long, connected phrases rather than phrasing at bar lines. Think of the trumpet part as text you're speaking aloud, allowing the harmonic structure to guide your breathing.
  • Balance tone quality against dynamic control. The slow tempo exposes every shift in color or intensity, so cultivate a warm, consistent sound across the entire range while still providing clear dynamic shape.
  • Let the strings establish their harmonic foundation before entering. This partnership works best when the accompaniment feels secure and supportive rather than reactive to the trumpet's phrasing.
  • Approach chromatic passages and ornamentation with restraint. Baroque style benefits from clarity and forward motion rather than excessive rubato or expressive delay.

How to use it

Place this as a change-of-pace selection following a faster, more energetic piece to reset the emotional temperature of your concert. It also serves beautifully in special services, ceremonial contexts, or mixed chamber programming where a quiet, contemplative moment strengthens the overall arc. The medium difficulty level makes it accessible for inclusion in festivals or contests without overshadowing ensemble preparation time.

Skills your students will build

  • Sustained legato playing across phrase boundaries
  • Dynamic shaping and control at slow tempos
  • Baroque articulation and ornamentation
  • Ensemble listening and balance in chamber settings
  • Singing quality tone production

You May Also Like