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Let All Nations Sing: SoundTrax Digital Audio Download

$26.99 USD
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Let All Nations Sing Cover Image

Let All Nations Sing: SoundTrax Digital Audio Download

Words and music by Sally K. Albrecht

Item: 00-A-00015301

$26.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015301

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and clinician with a distinctive focus on movement-integrated singing. Her catalog includes more than 600 published choral works alongside 75 full-length musicals and songbooks, earning her annual ASCAP Special Music Awards since 1987. She directed choral, vocal, and elementary music publications for major educational publishers, including Alfred Music, while simultaneously conducting honor choirs at prestigious venues like Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht writes with the experienced hand of someone who understands how choirs actually sing together, blending accessibility with genuine musical substance. This piece carries her trademark approach to text expression and ensemble unity, delivered here as a digital download that gives you the recorded accompaniment immediately for rehearsal and performance planning.

What to expect

A piece that invites congregational warmth without saccharine simplicity. The music unfolds with genuine lyricism, creating space for the text to land while maintaining the engaging ensemble sound Albrecht is known for.

Who it's for

This work suits intermediate to advanced choirs seeking meaningful sacred repertoire that engages both singers and listeners. It works equally well in educational settings, worship contexts, and concert programming where you want music that is musically substantive without extreme technical demands.

How to get the most out of it

  • Reference the recorded accompaniment during early rehearsals to establish the harmonic color and phrasing the composer intended, then gradually reduce dependence as the choir internalizes the shape.
  • Attend to text clarity at moments where the accompaniment thickens; Albrecht often layers important words beneath fuller sonorities, so balance projection carefully.
  • Consider how choral movement might enhance the piece's message; given Albrecht's reputation in this area, physical communication can deepen the choir's interpretive choices without competing with the music itself.

How to use it

Program this as a centerpiece for a sacred choral concert or as a powerful closing number that sends audiences out with affirmation rather than exhaustion. It also works beautifully in interfaith or community worship settings where music bridges different traditions.

Skills your students will build

  • Sustaining legit line through text-based phrasing changes
  • Blending multiple voice parts into unified harmonic color
  • Reading and interpreting published dynamics and articulation marks in sacred context
  • Responding to recorded accompaniment cues while maintaining independent vocal line

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