Lessons in Performance Book 1, Around the World - Flute Cover Image

Lessons in Performance Book 1, Around the World - Flute: Flute Method Book

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Lessons in Performance Book 1, Around the World - Flute Cover Image

Lessons in Performance Book 1, Around the World - Flute: Flute Method Book

By Deborah A. Sheldon, Robert Sheldon

Item: 98-BB205FL

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Description
Contents include: March Ceremonial; El rey de Fransia; Wallaby Walkabout; An Irish Ballade (Star of the County Down); Patriotic Salute: Old Joe Clark; Korobochka!; Holiday Sleigh Ride; Birus Kakatua; Armenian Anthem; V'la le bon vent; Noel Francais!; Blow, Ye Winds, Blow; A Scandinavian Folk Tale; The Chicken Dance

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Additional Details
Series: Lessons in Performance
Publisher: The FJH Music Company, Inc.
UPC: 674398213023
SKU: 98-BB205FL

More about this title

About the Composer: Deborah A. Sheldon

Deborah A. Sheldon has established herself as a composer and educator deeply committed to making quality repertoire accessible to developing musicians. Her work in music education spans decades, with a focus on creating pieces that engage student performers while building genuine musical skills.

Why we love this

This collection pairs folk melodies from multiple traditions with writing that respects flute fundamentals, so students aren't playing through exercises disguised as music. The global scope gives concert programming natural thematic coherence, and Sheldon's arrangement choices let young players sound capable while staying within their technical reach.

What to expect

Traveling the world through melody. Each piece carries its own character, from the march-like precision of ceremonial openings to the playful bounce of a Scandinavian folk tale. The collection feels like a musical postcard collection, inviting players to discover how melody shapes identity across cultures.

Who it's for

Flute students in their first year of study who are ready to move beyond isolated exercises and play recognizable music from diverse cultural traditions. This book works equally well in private studio settings and band rehearsals where flute players need supplemental repertoire.

How to get the most out of it

  • Approach each folk melody as a story rather than a technical study. The cultural context of "Korobochka" or "V'la le bon vent" comes through when phrasing reflects the character of each region.
  • Balance tone clarity across register shifts, which happen frequently when melodies sit in different parts of the staff across this collection.
  • Let the rhythmic personality of each piece breathe. Pieces like "The Chicken Dance" rely on rhythmic precision and articulation clarity, not speed.

How to use it

Build a "Folk Traditions Around the World" concert by pairing these flute solos with band arrangements of similar repertoire, or feature individual pieces throughout the season as concert openers and palette cleansers. The collection's variety makes it ideal for diversity statements in program notes without feeling forced.

Skills your students will build

  • Melodic phrasing across different cultural styles and idioms
  • Register navigation and consistent tone quality across the flute's range
  • Rhythmic accuracy in varied time signatures and note groupings
  • Articulation control and tonguing clarity for different musical characters
  • Sight-reading facility through exposure to 14 distinct pieces

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