Lessons in Love and Violence Cover Image

Lessons in Love and Violence: Full Orchestra Conductor Score

$150.00 USD
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Lessons in Love and Violence Cover Image

Lessons in Love and Violence: Full Orchestra Conductor Score

Opera in Two Parts

By George Benjamin, text by Martin Crimp

Item: 12-0571541097

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Description
Premiered in 2018, the 90-minute opera Lessons in Love and Violence delves into the dark and turbulent events of Edward II's life and death. The opera unfolds as a taut slow-burning arch of seven tableaux. This work boasts particularly rich string textures and spectacular ensemble writing. The music's relationship to the drama is often unstable and seemingly very spontaneous, but beneath it all one senses a rigorous architecture, unflinchingly guiding the listener deeper and deeper into the opera's disquieting emotional world. This full score is a perfect accompaniment to the previously published vocal score and text.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-54109-7
ISBN13: 978-0-571-54109-6
UPC: 9780571541096
SKU: 12-0571541097

More about this title

About the Composer: George Benjamin

George Benjamin is a British composer whose orchestral works and operas have established him as one of the most significant voices in contemporary classical music. His approach combines meticulous structural thinking with a keen ear for instrumental color and dramatic pacing, making his scores both intellectually rigorous and viscerally engaging for performers and audiences alike.

Why we love this

Benjamin's orchestration in this score is exceptionally refined. The string writing alone justifies close study, but what makes this conductor's score essential is how clearly it reveals the architecture beneath the drama's spontaneity. You'll find yourself discovering new instrumental relationships on each read-through, and your orchestra will respond to the precision required.

What to expect

Unsettling and hypnotic. The music pulls you deeper into psychological darkness without resorting to easy effects, letting instrumental relationships and harmonic tension do the dramatic work. There's a sense of inevitability beneath the surface restlessness, as if the score knows exactly where it's going even when it seems to wander.

Who it's for

Opera conductors and orchestral directors preparing this contemporary opera for performance. This score assumes fluency with 20th-century notation and compositional language, and works best with orchestras and ensembles already comfortable with modern repertoire.

How to get the most out of it

  • Study the seven tableaux as distinct musical worlds. Each one requires its own interpretive approach to pacing and color, so map those shifts clearly in rehearsal before locking onto tempos.
  • The string textures often carry the emotional weight. Invest rehearsal time in balancing divisi passages and ensuring clean attacks across the section, since transparency matters more than volume.
  • Work with your principal players on the instrumental solos embedded within ensemble writing. Benjamin frequently layers exposed lines that need to cut through but never sound like concerto writing.
  • Trust the score's apparent spontaneity. The orchestration may feel loose, but the harmonic language is exacting. Conductor precision around vertical alignment will pay dividends in clarity.

How to use it

This is a concert work for ensembles ready to tackle full operatic production or concert staging. The 90-minute duration and demanding orchestration make it suitable for a festival or dedicated contemporary music event rather than a standard concert slot. Consider pairing it with Benjamin's other orchestral works to highlight his compositional evolution.

Skills your students will build

  • Reading complex contemporary notation and microtonal inflections
  • Balancing multiple simultaneous ensemble textures in divisi string writing
  • Sustaining dramatic tension across extended formal structures
  • Coordinating exposed instrumental solos within thick orchestral fabric
  • Interpreting unstable harmonic language and non-functional tonality

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