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Legacy: Concert Band Conductor Score

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Legacy: Concert Band Conductor Score

Processional for Band

By Brian Balmages

Grade: 2.5

Item: 98-B1089S

$13.00
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Description
This processional is ideal for concerts, graduations, or other special ceremonies. Stately fanfares in the brass and woodwinds move into a middle section with more motion and pulse, while switching to a more legato style. The opening figure returns with a final brilliant fanfare in the brass. (3:20)

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444460122
SKU: 98-B1089S

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has established himself as a versatile composer and conductor whose work reaches across orchestral, band, and chamber music contexts. His compositions have been heard in world-class venues including Carnegie Hall, the Kennedy Center, and the Sydney Opera House, performed by ensembles ranging from professional orchestras to school bands. He holds membership in the American Bandmasters Association and received the A. Austin Harding Award from the American School Band Directors Association.

Balmages brings significant recognition to his field through major competitions and commissions. He won the 2020 NBA William D. Revelli Composition Contest with Love and Light, received the inaugural James Madison University Distinguished Alumni Award from the School of Visual and Performing Arts, and was commissioned by the University of Miami to compose for the presidential inauguration. His music appeared in the 2013 Presidential Inaugural Prayer Service, and he conducts regularly at all-state ensembles, university groups, and international conferences. Currently, he serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages understands what makes processional music work in real ceremonial contexts. Legacy balances accessibility at grade 2.5 with genuine musical substance, giving young bands a piece they can perform with confidence while maintaining the dignity and forward motion that special events demand. The structural clarity of fanfare, contrasting middle section, and return makes it straightforward to rehearse without sacrificing musical impact.

What to expect

Legacy opens with stately ceremonial dignity, its brass and woodwind fanfares establishing a sense of occasion and gravitas. The middle section introduces forward momentum and lyrical character without losing formality, then the opening figures return transformed by the brilliant brass writing that closes the piece with unmistakable ceremonial weight.

Who it's for

Directors of grade 2 and 2.5 concert bands preparing for graduations, end-of-year concerts, or ceremonial events. This piece serves ensembles ready to move beyond basic fanfare writing into something with genuine architectural interest and professional presentation.

How to get the most out of it

  • Shape the opening fanfare figures with clear articulation and consistent ensemble balancing; the brass should project without overwhelming the woodwind voices that support the harmonic foundation.
  • Allow the middle section's increased pulse and motion to breathe naturally. This contrast only succeeds if the initial processional tempo is truly stately and measured.
  • Use the final fanfare return as a moment to build intensity gradually rather than suddenly jumping to full volume; this creates a satisfying arc that ties the whole piece together.
  • Consider the practical pacing of your ceremony. At 3:20, this works efficiently for entries, recessionals, or transitions without becoming tedious.

How to use it

Program this as a processional opener or recessional closer for graduation ceremonies, awards banquets, or formal concert occasions where you want to set a sophisticated tone. It pairs well with contrasting repertoire in a concert program, offering a bookend that distinguishes your band's performance from casual programming.

Skills your students will build

  • Balancing and blending brass and woodwind colors in block harmonic writing
  • Contrasting articulation and phrasing across different musical sections
  • Performing with ceremonial presence and stylistic awareness
  • Reading and executing tempo shifts between processional and more active rhythmic sections

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