Leaves Are Falling Cover Image

Leaves Are Falling: Conductor Score & Parts

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Leaves Are Falling Cover Image

Leaves Are Falling: Conductor Score & Parts

By Percy Hall

Item: 36-20443152

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Description
LEAVES ARE FALLING is a descriptive composition for four clarinets. The first four measures depict the autumn breeze that stirs the falling leaves. The descending scales of the next four measures imitate their gentle fall to the ground.

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Additional Details
Series: Great Works Publishing - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-63887-194-9
ISBN13: 978-1-63887-194-1
UPC: 654690615190
SKU: 36-20443152
Instrumentation: Clarinet Quartet

More about this title

Why we love this

The economy of this piece is remarkable. In just eight measures, Hall captures a complete seasonal moment through purely instrumental means, asking clarinet quartets to listen closely and shape phrase contours with real intention. It's substantial enough to matter on a concert but brief enough that even younger ensembles can achieve genuine musical communication.

What to expect

Autumn arrives quietly in this piece. You'll hear the whisper of wind moving through the first phrases, then watch the gentle spiral of falling leaves traced by descending melodic lines. It's contemplative and visual, the kind of piece that lingers after the final note.

Who it's for

Clarinet quartets at the intermediate level who are ready to move beyond unison etude arrangements into scored chamber music. The piece works well for groups developing ensemble balance and musical storytelling without the technical demands of more complex repertoire.

How to get the most out of it

  • Balance the first four measures carefully so the breeze emerges as a unified gesture rather than individual voices. The clarinet sections need to blend before they can suggest motion.
  • Shape the descending scales (measures 5-8) with a slight ritardando, allowing the leaves to fall gradually rather than mechanically. This requires a conductor's clear hand to coordinate the descent across all four parts.
  • Record a run-through early in rehearsal and listen together. Hearing your own ensemble against the written imagery often clarifies where the musicality needs to deepen.

How to use it

Pair this with a longer clarinet quartet or use it as a seasonal concert opener in fall programming. Its modest length makes it an ideal transition piece between ensemble numbers or a tender closer for chamber recitals.

Skills your students will build

  • Blending and balance across four equal voices
  • Shaping descending melodic lines with consistent voicing
  • Translating imagery and emotion into interpretive choices
  • Ensemble precision without a dominant melodic voice

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