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Learn to Play in the Orchestra, Book 2: Viola I Book

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Learn to Play in the Orchestra, Book 2 Cover Image

Learn to Play in the Orchestra, Book 2: Viola I Book

By Ralph Matesky

Item: 00-855

$7.99
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Description
Correlates with Learn to Play a Stringed Instrument or any other method, this series concentrates on the development of style and music appreciation. Contains a history of stringed instruments, biographies of composers plus duets, trios and full string orchestral arrangements of famous melodies.

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Additional Details
Publisher: Alfred Music
Page Count: 24
UPC: 038081007519
SKU: 00-855
Instrumentation: Viola I

More about this title

Why we love this

Matesky understands that young violists need more than exercises; they need context and repertoire that matters. This book layers cultural knowledge alongside musical development, connecting students to the composers and instruments they're learning to play. The mix of duets, trios, and full orchestral arrangements means you can use it flexibly across your rehearsal schedule, whether you're building confidence in smaller ensembles first or jumping into the full string sound.

What to expect

Familiar melodies arranged for young string voices feel accessible yet substantial. Students discover that pieces they may already know take on new character when played on viola, and the orchestral settings create a sense of ensemble purpose beyond solo practice.

Who it's for

Viola students who have completed beginning method work and are ready to engage with string orchestra literature. This book works well for violists in middle school or early high school string programs, or for students in community orchestras building their ensemble experience.

How to get the most out of it

  • Approach the orchestral arrangements as small-group experiences before performing them with full instrumentation. Start with the duets and trios to establish secure intonation and balance before adding the complete string section.
  • Read the composer biographies aloud during sectional rehearsals so violists understand the context of each piece they're learning. This bridges the gap between music history and actual playing.
  • Use the instrument history section as a bridge activity when transitioning between method book work and performance repertoire, helping students see their viola's place in the larger musical tradition.

How to use it

Use this alongside your primary string method curriculum to deepen musicianship without derailing technical development. The shorter duets and trios fit naturally into sectional rehearsals, while the orchestral pieces can anchor a concert program or serve as sight-reading material for full ensemble work.

Skills your students will build

  • Reading and performing in Viola I parts within string orchestra textures
  • Sustaining tone quality across multiple phrase lengths
  • Balancing intonation in ensemble with upper and lower string voices
  • Interpreting famous melodies across different historical styles
  • Ensemble listening and response to conductor gestures

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