Laudate! Cover Image

Laudate!: SATB Choral Octavo

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Laudate! Cover Image

Laudate!: SATB Choral Octavo

By John Leavitt

Level: Moderate

Item: 00-SV9666

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Description
John writes exciting material for the SATB ensemble and his 'Laudate!,' in a neo-Baroque style, is challenging and fun. The Baroque-like rhythms will require clean articulation and constant drive to climax. This work is destined to become a concert/contest or festival favorite.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Laudate!: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Studio PR Catalog
Publisher: Alfred Music
Page Count: 16
UPC: 029156202076
SKU: 00-SV9666
Instrumentation: Opt. Percussion

More about this title

About the Composer: John Leavitt

John Leavitt has established himself as a prolific composer of accessible yet musically substantial choral and instrumental works. His output spans sacred and secular repertoire across multiple ensembles, and his pieces consistently appear on festival and contest programs nationwide. Leavitt's strength lies in writing idiomatic music for singers and players at moderate levels; his compositions challenge performers without overwhelming them, a balance that has made him a staple in American music education.

Why we love this

Leavitt constructs 'Laudate!' with genuine rhythmic vitality and architectural purpose. The neo-Baroque language gives the piece immediate character while the moderate difficulty level means your singers can focus on clean articulation and sustained momentum rather than wrestling with complex notation. This is the kind of work that energizes an ensemble during rehearsal and leaves an audience wanting to hear it again.

What to expect

The piece carries an unmistakable celebratory energy, with Baroque-inflected rhythms that propel the music forward. Expect a sense of architectural clarity and architectural drive; this isn't introspective music but rather a work that builds momentum through repetition, syncopation, and carefully timed climax points. The text setting is buoyant and the overall character is one of affirmation and joy.

Who it's for

This octavo works well for high school choirs, community choirs with mixed experience levels, and select middle school choirs with strong ensemble discipline. The moderate grade and straightforward SATB voicing make it accessible to singers still building their confidence, while the compositional sophistication rewards choirs ready to tackle concert or festival programming with purpose.

How to get the most out of it

  • Treat the Baroque-style rhythms as precise but dance-like; articulation should feel deliberate without becoming stiff. Establish a clear pulse early in rehearsals so singers understand where the drive toward climax begins.
  • Bring out the text naturally within the rhythmic framework. The interplay between word stress and musical accent will define the energy of the piece, especially in build sections.
  • If using optional percussion, coordinate their articulation carefully with the choir's diction. Percussion should enhance clarity and momentum, not muddy the harmonic texture.
  • Conduct with clear, purposeful gestures that communicate both the sectional work needed and the overall arc toward climax. Your singers will respond to your conviction about where the piece is heading.

How to use it

Program 'Laudate!' as a centerpiece work on a sacred concert or festival round. Its moderate difficulty and exciting character make it an excellent choice to program between a slower, more contemplative piece and a lighter closing number, creating a balanced emotional arc for the audience. The piece also functions well as a contest selection where clean execution and musicianship will make a strong impression.

Skills your students will build

  • Baroque-style articulation and rhythmic precision in ensemble singing
  • Sustaining forward momentum and phrase direction over longer musical statements
  • Balancing sectional independence with unified choral sound in SATB texture
  • Clean diction at moderate to brisk tempos
  • Building and releasing tension through dynamic and rhythmic control

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