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Laudamus Te: Woodwind Ensemble Score & Parts

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Laudamus Te Cover Image

Laudamus Te: Woodwind Ensemble Score & Parts

From Gloria

By Antonio Vivaldi / arr. David Marlatt

Level: Medium

Item: 81-WWE222185

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Description
The Gloria by Antonio Vivaldi is truly a magnificent work. The "Laudamus Te" is a vocal duet arranged here for by David Marlatt for interchangeable woodwind ensemble. This duet is typical of the music of the Vivaldi with imitative scale passages and melodic lines cleverly intertwining.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-878-5
ISBN13: 978-1-77157-878-3
UPC: 685462028795
SKU: 81-WWE222185
Instrumentation: Interchangeable Woodwind Ensemble

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) shaped the Baroque concerto into one of music's most enduring forms. His prolific output spanned instrumental works, operas, and sacred music, all marked by rhythmic vitality, memorable melodies, and structural clarity that made his music immediately appealing to performers and audiences alike.

Vivaldi's sacred vocal works, including the Gloria, showcase his gift for writing soloistic, expressive lines that sit naturally in the voice. His influence on instrumental music was equally profound; composers across Europe studied his concertos to understand how to construct compelling solo passages within ensemble textures.

Why we love this

Vivaldi's Gloria is instantly recognizable and beloved by audiences, so arranging one of its most lyrical sections for woodwinds taps into music that already matters to people. The duet texture gives woodwind players genuine musical dialogue to navigate, not just parallel parts, while the interchangeable instrumentation lets you cast this piece flexibly across your ensemble.

What to expect

Lyrical and animated at once. The intertwining melodic lines create warmth and elegance characteristic of Vivaldi's vocal writing, while the scale passages add rhythmic drive and forward motion. The piece feels conversational and intimate, even in ensemble form.

Who it's for

Woodwind ensembles at the intermediate level who want to explore Baroque vocal writing adapted idiomatically for instruments. This works for community bands, school woodwind quartets, or mixed ensembles looking for repertoire that's musically substantial but doesn't demand advanced technique.

How to get the most out of it

  • Balance the two melodic lines so they engage in genuine conversation rather than one dominating. Adjust dynamic markings slightly if needed so each voice shares the spotlight equally.
  • Shape the imitative scale passages with forward momentum; these passages tend to sit comfortably under the fingers but need rhythmic lift to sound Baroque rather than mechanical.
  • Use the flexibility in instrumentation strategically across rehearsals. Once voices are secure, experiment with different instrumental pairings to find colors that bring out Vivaldi's elegance.

How to use it

Program this as a chamber selection within a larger concert, pairing it with other Baroque or Vivaldi arrangements to build a themed set. It also works as an intermission piece or as a shorter concert opener that establishes a sophisticated, elegant tone.

Skills your students will build

  • Sustaining lyrical phrasing across longer melodic lines
  • Balancing and blending in duet texture
  • Shaping imitative passages with rhythmic clarity
  • Adapting to flexible instrumentation and finding ensemble color through different combinations

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