Last Christmas Cover Image

Last Christmas: SATB, <i>a cappella</i> Choral Octavo

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Last Christmas Cover Image

Last Christmas: SATB, a cappella Choral Octavo

Words and music by George Michael / arr. Bryan Sharpe

Item: 00-45522

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Description
A thumping bass line powers the harmonic motor of this seasonal pop selection from 80s group Wham! The melody percolates throughout the choir, while varied choral textures create interesting and supportive sonic layers. An awesome retro Christmas feel!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Last Christmas: SATB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081512617
SKU: 00-45522

More about this title

About the Composer: George Michael

George Michael (1963-2016) was a British-Cypriot pop singer, songwriter, and producer who achieved global stardom as the primary creative force behind the duo Wham! and later as a solo artist. His work spanned pop, soul, and dance genres, and he was known for crafting infectious melodies, sophisticated harmonies, and production that influenced popular music across decades. His compositions remain staples in contemporary choral arrangements, introducing new generations to his melodic sensibility and rhythmic sophistication.

Why we love this

Bryan Sharpe's arrangement unlocks the sophisticated harmonic and rhythmic DNA of an 80s pop classic without requiring instrumental accompaniment. The thumping bass line translated to a cappella texture gives singers a driving anchor while varied choral writing prevents the piece from feeling like a unison-plus-harmony plod; every voice has a moment to shine. This is a seasonal selection that doesn't compromise on musicality for the sake of accessibility.

What to expect

A propulsive, bass-driven energy carries this piece forward with retro 80s DNA evident in every harmonic choice. The melody emerges and recedes through the texture like a spotlight moving across the stage, creating visual and sonic interest while the harmonic motor keeps driving underneath. It's fun, sophisticated, and unmistakably festive without feeling saccharine.

Who it's for

Choirs of intermediate to advanced ability looking for contemporary seasonal repertoire that demands more than one-dimensional writing. This octavo works for high school, college, community, and professional choirs seeking an energetic, a cappella showpiece that resonates with audiences who grew up with Wham! or who simply enjoy well-crafted pop arrangements.

How to get the most out of it

  • Anchor the bass line with confidence and consistency; it's the harmonic and rhythmic foundation that holds the entire arrangement together. Consider doubling the bass section or having your strongest singers lock onto that part first during initial rehearsals.
  • Mark where the melody migrates to different voice parts and practice transitions deliberately. Clear hand-offs between sopranos, altos, and tenors will keep the tune recognizable and engaging as it moves around the choir.
  • Balance the blend of harmonic layers by having singers listen horizontally (to their own line) and vertically (to what surrounds them). The retro pop energy comes from crisp articulation paired with unified voicing within each section.
  • Dial in the rhythmic precision of any syncopation in the arrangement. Pop idiom demands tight ensemble rhythm; slight flexibility here will undermine the contemporary groove that makes this arrangement distinctive.

How to use it

Open a Christmas concert with this as an energetic, crowd-pleasing statement that signals you're moving beyond traditional carols. It pairs well alongside both classical holiday repertoire and other contemporary pop arrangements, creating a dynamic setlist that keeps listeners engaged across the full range of seasonal expression. The a cappella requirement means it works in any venue and requires minimal setup between pieces.

Skills your students will build

  • Singing intricate bass lines and harmonic foundations without instrumental support
  • Tracking melody migration across voice parts and executing clean hand-offs
  • Balancing homophonic and polyphonic textures within a single arrangement
  • Executing rhythmic precision and syncopation in pop idiom
  • Blending contemporary choral writing with accessible, recognizable melodic material

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