Laniakea Cover Image

Laniakea: Concert Band Conductor Score

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Laniakea Cover Image

Laniakea: Concert Band Conductor Score

By Jack Wilds

Grade: 2.5

Item: 98-B1689S

$12.00
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Description
Laniakea, Hawaiian for “immeasurable heaven,” is the name of our local supercluster, the massive structure of 100,000 galaxies in which the Milky Way is located. This lyrical work portrays a lone astronaut floating in a space suit at the edge of Laniakea and the emotions that might accompany such an experience. While the writing is very accessible, a sense of awe runs through the entire work that will leave your audience breathless.

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444518878
SKU: 98-B1689S

More about this title

About the Composer: Jack Wilds

Jack Wilds

Jack Wilds writes across an unusually broad spectrum: his catalog spans children's choirs, developing band programs, collegiate ensembles, and professional chamber groups. His music regularly appears on festival required repertoire lists across multiple continents and has been performed by groups ranging from the Attacca Quartet to members of the New York Philharmonic and Atlanta Symphony. He studied composition with Michael Ippolito, Chris Trapani, and Donald Grantham.

Wilds brings a classroom perspective to his writing. As a former public school band director with over 40 published works for developing musicians, he understands the gap between ambition and accessibility. He lectures in composition, theory, and music technology at Texas State University and serves as Co-Director of Music at First Presbyterian Church in San Marcos, where he has worked for 13 years. His clinician and adjudicator work takes him across the country regularly.

Why we love this

Wilds captures something genuinely difficult to pull off at Grade 2.5: a piece that feels profound without requiring technical display. The central image of a solitary astronaut suspended at the edge of a galactic supercluster creates a sustained emotional arc that your students will feel as they play, not just execute. The accessibility of the writing never undermines the weight of the concept, making this a rare opportunity to connect young musicians to something larger than themselves.

What to expect

Quiet wonder. The piece inhabits the emotional space of drifting alone in infinite darkness, which Wilds renders not as fear but as contemplation. There's a weightlessness to the orchestration that makes you feel the vastness of space rather than merely imagining it.

Who it's for

Grade 2.5 concert bands with strong fundamentals in blend and balance. Conductors programming festival or contest events will find this piece memorable without being gratuitous. It works equally well for groups that prioritize musical growth over technical complexity.

How to get the most out of it

  • Shape phrases with long breaths in mind. The lyricism depends on the band breathing as one organism, so mark your score where you'll let the line breathe rather than where the notation suggests a break.
  • Balance the inner voices carefully in unison and chorale sections. When everyone plays the same note, any imbalance in the clarinet or alto sax section becomes obvious; rehearse these moments early and often.
  • Let silence work for you. This piece creates awe partly through what it doesn't play. Resist the urge to fill in gaps or rush transitions; let the space speak.
  • Trust the simplicity of the writing. Straightforward doesn't mean unexciting. Focus your rehearsal on tone quality and unanimity rather than notes or rhythm.

How to use it

Open a concert with this to establish a reflective mood, or place it strategically after higher-energy pieces to give your audience a moment of restoration. It pairs well with thematic programming around science, wonder, or introspection; consider pairing it with other pieces that explore visual or philosophical imagery.

Skills your students will build

  • Sustaining long phrases with consistent air support
  • Listening for balance and blend in unison writing
  • Following emotional direction from the conductor rather than relying on technical cues
  • Responding to silence as a compositional element
  • Playing with tonal warmth while maintaining clarity

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