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Land of Harp and Song: Concert Band Conductor Score

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Land of Harp and Song Cover Image

Land of Harp and Song: Concert Band Conductor Score

(A Collection of Irish Folk Songs)

Various / arr. Timothy Loest

Grade: 3

Item: 00-51930S

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Description
This enchanting, three-movement collection of Irish songs opens with a lilting version of "The Kerry Dance." The second movement features a sentimental setting of "The Last Rose of Summer" before the work concludes with the resolute anthem "The Minstrel Boy." Land of Harp and Song is a fantastic arrangement by Timothy Loest that will showcase every member of the band! (4:45)

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Additional Details
Series: MakeMusic Young Band
Publisher: MakeMusic Publications
ISBN10: 1-4706-7307-X
ISBN13: 978-1-4706-7307-9
UPC: 038081595320
SKU: 00-51930S

More about this title

About the Arranger: Timothy Loest

Timothy Loest

Timothy Loest has established himself as a prolific arranger and composer whose works for young band reach audiences across the globe. His approach balances musical substance with accessibility, making him a trusted voice in school music programs at all levels. In 2017, his composition Cloud Gate (Reflections of a City) was performed for over 5,000 spectators at Chicago's Millennium Park, and that same year he received the Illinois Grade School Music Association's Cloyd Myers Memorial Award for Excellence in Music Education.

Loest's career spans over three decades in the classroom, where he built deep expertise in instrumental pedagogy. He has contributed to several widely adopted band methods and curriculum resources, including Measures of Success® and Warm-ups and Beyond. His music has appeared on network television programs including The Tonight Show Starring Jimmy Fallon and Good Morning America. In 2022, he founded Fanfare Music Press to publish high-quality band compositions and arrangements. Loest holds degrees from Illinois State University (Bachelor of Music Education, high honors) and Northwestern University (Master of Music, program honors) and maintains membership in ASCAP.

Why we love this

Loest's arrangement ensures that every section gets its moment to shine, avoiding the common trap of reducing ensemble voicing to a handful of parts. The three-movement structure gives you natural concert flow without requiring extended rehearsal time on a single piece, and the Irish melodies resonate with audiences of all ages. This is the kind of program filler that feels substantial, not tacked on.

What to expect

The opening is bright and lilting, inviting listeners into the world of Irish song and dance. The middle movement shifts to introspection and sentiment, creating emotional depth, before the finale arrives as a confident, resolute statement that sends the ensemble and audience out on a strong note.

Who it's for

Grade 3 concert bands seeking a substantial standalone work that celebrates folk melody and showcases ensemble versatility. Directors looking for contest or festival repertoire that audiences connect with immediately will find this especially useful.

How to get the most out of it

  • Let the opening "Kerry Dance" breathe with a relaxed lilt; overly strict rhythmic precision will flatten the dance character and lose the folk idiom.
  • Balance the scoring in "The Last Rose of Summer" so that the melody line projects clearly while accompaniment voices support without overwhelming.
  • Build intensity gradually into "The Minstrel Boy" rather than starting at full volume; the anthem carries more impact when it crescendos from a controlled foundation.

How to use it

This three-movement suite works well as a festival entry or concert showcase piece that demonstrates your ensemble's musical maturity without demanding extreme technical difficulty. Program it as a standalone work early or mid-concert to build audience engagement with melodic material, or pair it with a classical selection to show range in style and period.

Skills your students will build

  • Phrasing and shaping within folk idiom
  • Balance between melody and harmonic accompaniment
  • Dynamic contrast across multi-movement works
  • Intonation in sustained harmonic sections
  • Ensemble cohesion in moderate-to-brisk tempos

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