La voz latina: Choral Music from Latin America for SATB Choir, Vol. 1 Cover Image

La voz latina: Choral Music from Latin America for SATB Choir, Vol. 1: Choral Works (inc. Oratorios)

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La voz latina: Choral Music from Latin America for SATB Choir, Vol. 1 Cover Image

La voz latina: Choral Music from Latin America for SATB Choir, Vol. 1: Choral Works (inc. Oratorios)

Edited by Werner Pfaff and Javier Zentner

Item: 98-EP11424

$21.95
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Description

A collection of 14 vibrant choral pieces from Cuba, Colombia, Venezuela, Ecuador and Brazil. Covering a range of styles from cumbia to Cuban son, this music is full of the characteristic rhythms and melodies which capture the unique vitality of Latin America

With background information, translations and pronunciation guides, enabling performers to immerse themselves in the atmosphere of Latin music, this collection provides a great addition to the repertoire for any choral concert

  • A varied collection of mostly secular music, with some sacred pieces and carols
  • Easy to advanced level
  • Includes introductions to the songs, translations of all texts and guidance on pronunciation

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 132
ISBN10: 0-01-411928-5
ISBN13: 979-0-0141-1928-7
SKU: 98-EP11424

More about this title

Why we love this

This collection fills the genuine need for authentic Latin American choral music that goes beyond stereotypes. The 14 pieces span multiple countries and styles, so you can program a coherent thematic concert or sprinkle selections throughout your season without repetition. The included translations, pronunciation guides, and cultural context make it possible to honor the music's origins even without specialist knowledge.

What to expect

The music pulses with infectious energy rooted in dance and celebration, yet many pieces hold emotional depth and spiritual resonance. Whether you're encountering the swaying motion of a Brazilian samba-based carol or the bright call-and-response of a Venezuelan cumbia, there's an immediate sense of joy and cultural specificity that lifts singers and listeners alike.

Who it's for

Choirs comfortable with rhythmic independence and interested in expanding beyond European classical and American spiritual traditions. This works for advanced high school choirs, collegiate ensembles, and community choruses with singers who bring experience in world music or contemporary idioms.

How to get the most out of it

  • Spend rehearsal time on the rhythmic vocabulary specific to each style (cumbia figures differ from Cuban son patterns). Mark these clearly in your score so singers internalize the characteristic groove rather than flattening it into generic pop rhythm.
  • Use the pronunciation guides actively during warm-ups, not just as reference material. Vowel colors and consonant placement carry meaning in Spanish and Portuguese, and singers who feel confident with the language commit more fully to the text.
  • Layer parts gradually by style rather than song by song. If you're learning cumbia rhythms, rehearse two or three cumbia pieces in succession so the feel settles into muscle memory across multiple contexts.

How to use it

Build a Latin American-focused concert that showcases musical and cultural diversity across the hemisphere, or weave individual selections into a concert exploring global choral traditions. Several pieces work well as encores or lighter second-half openers, while the sacred selections pair naturally with a choral pilgrimage or interfaith program.

Skills your students will build

  • Singing in Spanish and Portuguese with idiomatic pronunciation and inflection
  • Navigating syncopated rhythms and polyrhythmic textures (cumbia, son, samba patterns)
  • Maintaining independent lines in pieces with call-and-response or layered instrumental-style parts
  • Interpreting cultural context and historical background in unfamiliar repertoire
  • Balancing harmonic precision with the looser, dance-oriented feel appropriate to Latin music styles

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