La Verdure Doree Cover Image

La Verdure Doree: Solo Medium Voice Book

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La Verdure Doree Cover Image

La Verdure Doree: Solo Medium Voice Book

By Jacques Ibert/ Text by Tristan Derème

Item: 36-M293391

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Description
With text by Tristan Derème, Jacques Ibert's (1890-1962) La verdure dorée (1923) is written for baritone with piano and has four movements: 1. Comme j'allais, 2. Tiède azur, 3. Cette grande chambre, 4. Personne ne saura jamais.

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Additional Details
Series: Master Vocal Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852662-5
ISBN13: 979-8-88-852662-0
UPC: 676737918644
SKU: 36-M293391
Instrumentation: Voice and Piano

More about this title

About the Composer: Jacques Ibert

Jacques Ibert (1890-1962) was a French composer whose output spanned opera, orchestral works, chamber music, and song cycles. His facility with melody and gift for orchestration made him one of the most performed French composers of the twentieth century, and his vocal writing balanced lyrical expressiveness with harmonic sophistication that never sacrificed singability.

Why we love this

Ibert's setting of Tristan Derème's poetry creates an intimate four-movement arc that rewards both singer and pianist with elegant, idiomatic writing. The cycle sits comfortably for baritone while offering enough harmonic interest and structural variety to feel substantial without overwhelming voices still building their repertoire.

What to expect

This cycle inhabits a delicate emotional space between introspection and nature imagery. Ibert's harmonies shimmer with impressionistic color while maintaining a conversational intimacy, creating moments that feel both private and universal.

Who it's for

Baritones developing their art song repertoire will find this cycle accessible yet musically rewarding. It works equally well for advanced high school singers, college voice students, and professionals seeking elegant French twentieth-century material that isn't overexposed.

How to get the most out of it

  • Balance the vocal line with transparent piano accompaniment; Ibert's textures are light but never fragile, so resist the impulse to oversing.
  • Pay attention to the text declamation across all four movements; the French prosody shapes phrasing in ways that may differ from your native language patterns.
  • Let the piano introduction of each movement establish both tempo and mood before entering; these are miniature character pieces that frame the voice.
  • Shape each movement as a distinct emotional landscape rather than four separate songs; the cycle's power lies in its overall arch.

How to use it

Position this cycle as a standalone set on a recital, or program it as a bridge between Romantic French mélodie and contemporary vocal writing. Its modest duration and four distinct moods also make it effective in educational settings where students perform complete works.

Skills your students will build

  • French diction and textual clarity across changing poetic imagery
  • Shaping lyrical lines that follow text prosody rather than purely musical phrases
  • Ensemble balance between voice and piano in transparent accompaniment textures
  • Interpreting early twentieth-century harmonic language that references Impressionism

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