La Pastorella Cover Image

La Pastorella: TTBB Choral Octavo

$2.25 USD
Sale price  $2.25 USD Regular price 
Skip to product information
La Pastorella Cover Image

La Pastorella: TTBB Choral Octavo

(The Shepherdess)

By Franz Schubert / ed. Robert Shaw and Alice Parker

Item: 00-LG00512

makemusic Cloud badge
$2.25
Shipped

One moment…

Description

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, La Pastorella: TTBB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 8
UPC: 783556000099
SKU: 00-LG00512

More about this title

About the Composer: Franz Schubert

Franz Schubert (1797–1828) composed over 600 works across nearly every genre, yet remained relatively unknown during his lifetime. His gift for melody and harmonic innovation shaped the Romantic era, and his chamber music, particularly his string quartets and vocal works, continues to reveal new depths with each performance.

Schubert's choral writing demonstrates his mastery of counterpoint and his instinct for blending voices into seamless, expressive textures. His secular part songs capture intimate moments of human experience with the same care he brought to his symphonies and lieder, making them essential repertoire for ensembles seeking to deepen their musicianship.

Why we love this

Schubert's part songs inhabit a rare space: formally elegant yet emotionally direct, they reward careful attention without demanding unusual vocal ranges or technical extremes. La Pastorella gives TTBB singers access to one of the era's greatest melodists in a work that sounds inevitable once you've sung it, the kind of piece that stays with singers long after the concert ends.

What to expect

Pastoral and lyrical, with a gentle melancholy that speaks to rustic beauty rather than grandeur. The harmonic language is warm and accessible, yet the emotional undertone carries a wistfulness characteristic of Schubert's intimate writing. Singing it feels like entering a private moment of reflection.

Who it's for

Advanced TTBB ensembles ready to tackle a work that demands musical maturity, secure intonation, and ensemble balance. This piece suits directors programming a concert around Romantic art song, chamber repertoire, or historical choral literature. Singers benefit from prior experience with multi-part textures and sustained harmonic listening.

How to get the most out of it

  • Attend to phrase shape across all voices. Schubert often distributes the melodic line among different parts, and a conductor who hears the architecture of the phrase (not just individual lines) will unlock the work's forward motion.
  • Balance the tenor and baritone parts carefully. In many passages they carry substantial harmonic and rhythmic weight; don't let them recede beneath the top voices.
  • Use a light, sustained tone rather than a heavy one. Schubert's counterpoint is transparent; overtone-rich voices can muddy the textural clarity he's written.
  • Take time with harmonic transitions, especially where Schubert modulates. These moments reward expressive rubato and will feel natural to singers once they understand the harmonic logic.

How to use it

Position this as a centerpiece in a concert exploring Romantic art song and chamber music, paired perhaps with Brahms part songs or Mendelssohn's male-voice works. It also serves well as the anchor of a program celebrating Schubert's legacy across vocal genres. The eight-page length makes it substantial enough to stand alone or sit comfortably within a longer thematic program.

Skills your students will build

  • Singing sustained harmonic progressions with accurate intonation
  • Balancing multiple independent melodic lines within an ensemble texture
  • Interpreting Romantic-era phrase shapes and text expression
  • Maintaining ensemble blend while carrying distinct voice parts

You May Also Like