La Cavaleria de Napoles: String Orchestra Conductor Score & Parts

$40.00 USD

La Cavaleria de Napoles: String Orchestra Conductor Score & Parts

Name: La Cavaleria de Napoles: String Orchestra Conductor Score & Parts
Brand: Alfred Music
SKU: 98-ST6261
Price: 40.00 USD
Availability: InStock

By Gaspar Sanz / arr. Deborah Baker Monday

Grade: 1

Item: 98-ST6261

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This ideal concert opener is also a wonderful vehicle to teach low 2 fingerings to violinists. Originally from Gaspar Sanz's Suite Española, the entire piece is based on several variations on a continuous bass line. Exciting and stately, this work is sure to grab hold of your audience!

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Series: FJH Beginning Strings

Publisher: The FJH Music Company, Inc.

UPC: 674398228966

SKU: 98-ST6261

More about this title

About the Composer: Gaspar Sanz

Gaspar Sanz was a Spanish baroque guitarist and composer working in the 17th century. His Suite Española stands as one of the most important early works for guitar, preserving both the technical vocabulary and musical character of the Spanish baroque tradition. His writing combines clear melodic lines with sophisticated harmonic movement, making his music remarkably accessible to modern students while maintaining genuine artistic substance.

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Why we love this

Deborah Baker Monday has crafted an arrangement that honors Sanz's baroque framework while speaking directly to string pedagogy. The continuous bass line provides a scaffolded harmonic foundation that allows young violinists to focus on clean shifts into low 2 position without worrying about intonation drift, and the stately character keeps ensemble focus sharp throughout.

What to expect

Energetic and assured, with the dignified stride of processional music. The repeating bass creates a sense of forward motion while allowing each variation to unfold with clarity and purpose.

Who it's for

Young string orchestras working on fundamental position shifts and ensemble intonation. This piece works equally well for groups preparing for festival competition or polishing their concert season opener.

How to get the most out of it

Establish the pulse clearly before the entrance; the steady bass figures anchor everything and allow the upper strings to shape their phrasing confidently.
Work the low 2 fingering transitions separately in sectionals, then layer them back into the full texture so violinists hear how their part fits within the harmonic movement.
Let the variations breathe; each iteration of the bass line supports a slightly different melodic gesture, so conduct with awareness of which voice carries the story in each phrase.
Balance the upper strings lightly against the foundational bass line. This piece works best when the line is always audible but never bottom-heavy.

How to use it

Open a concert with this to set a refined, confident tone right away. Its baroque roots also pair naturally with other period arrangements on the same program, or you can juxtapose its stately character against contemporary works for effective programming contrast.