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La Calisto: Vocal Score

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La Calisto Cover Image

La Calisto: Vocal Score

Opera in two acts realized by Raymond Leppard

By Francesco Cavalli

Item: 12-0571503950

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Description
La Calisto was first performed in Venice In 1651. The present realization was prepared by Raymond Leppard, initially for performance by Glyndebourne Festival Opera in 1970 - the first known performance since 1651. La Calisto is an Italian opera in two acts, and lasts approximately 180 minutes.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-50395-0
ISBN13: 978-0-571-50395-7
UPC: 571503950000
SKU: 12-0571503950

More about this title

About the Composer: Francesco Cavalli

Francesco Cavalli (1602-1676) was one of the most prolific opera composers of the Baroque era and a defining figure in the development of Venetian opera. As maestro di cappella at St. Mark's Basilica in Venice, he composed over 40 operas that shaped the dramatic and musical language of the form during its first century. His works are characterized by expressive vocal writing, nimble orchestration, and a gift for theatrical momentum that influenced composers across Europe.

Cavalli's operas were performed throughout Italy and beyond during his lifetime, yet most disappeared from the repertory after the 18th century. The 1970 Glyndebourne revival of La Calisto, prepared by the conductor and harpsichordist Raymond Leppard, catalyzed a major reassessment of Cavalli's music and helped restore him to concert and operatic stages worldwide. His influence on later Baroque composers, particularly Lully and Purcell, underscores his historical importance.

Why we love this

La Calisto offers singers and conductors direct access to one of the greatest lost operas of the Baroque. Leppard's realization respects the musical language and dramatic intent of the original while making the score both playable and genuinely moving for modern ensembles. The vocal writing is gratifying for diverse voice types, the dramatic pacing builds momentum across two acts, and the opportunity to revive a centuries-absent masterwork brings real significance to any operatic production.

What to expect

La Calisto unfolds with the psychological intimacy and mythological grandeur characteristic of mid-17th-century Venetian opera. The score alternates between moments of crystalline beauty, where a single voice floats over spare accompaniment, and scenes of dramatic intensity where ensemble textures and orchestral flourishes create theatrical stakes. Beneath the decorative elegance lies emotional depth: love, betrayal, divine intervention, and transformation are rendered in music that feels both alien and surprisingly immediate.

Who it's for

This vocal score serves singers preparing roles in a full staging, vocal coaches working with soloists, and directors studying Cavalli's dramatic structures and musical voice. It is essential for any opera company, university opera program, or advanced vocal ensemble planning a performance of this work.

How to get the most out of it

  • Honor the rhetorical pacing of recitative; Baroque text-setting is precise, and clarity of diction will carry both meaning and musical shape.
  • Balance the reduced orchestration typical of Leppard's edition with vocal projection that cuts through without forcing. The ensemble is intimate, not large.
  • Study the relationship between sung phrases and continuo figures; they dialogue constantly, and awareness of that conversation enriches both musical interpretation and ensemble cohesion.
  • Approach ornamentation and embellishment within the vocal lines as expressive tools, not decorative flourishes. Each turn and extension should serve the emotional arc of the scene.

How to use it

This work functions best as the centerpiece of a concert or staged opera series rather than alongside other works. Its 180-minute span and dramatic architecture merit presentation in full, allowing the two-act structure and the mythological narrative to unfold completely. Universities and opera companies reviving Cavalli typically program La Calisto as a season highlight or a capstone project showcasing ensemble maturity and period performance skill.

Skills your students will build

  • Declamatory singing in Italian and the relationship between text and melodic contour
  • Rhetorical phrasing and emotional expression within Baroque vocal idiom
  • Ensemble coordination in recitative passages and ensemble numbers
  • Historical understanding of opera's early development and Venetian theatrical conventions
  • Collaborative interpretation with continuo players and orchestral accompaniment

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