L' Evolution du Piano Solo dans le Jazz Cover Image

L' Evolution du Piano Solo dans le Jazz: Piano DVD

$30.95 USD
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L' Evolution du Piano Solo dans le Jazz Cover Image

L' Evolution du Piano Solo dans le Jazz: Piano DVD

Styles Traditionelles & Styles Modernes

By Bill Dobbins

Item: 01-ADV20073

$30.95
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Description
The Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well-known standard "All of Me." By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general. De façon à montrer clairement les contributions particulières des différents pianistes, Bill Dobbins a composé un thème basé sur le changement d'accords très connu d'un classique du jazz All Of Me. En appliquant les approches stylistiques des différents pianistes au même thème, chacun devient conscient des éléments subtils mais cependant évocateurs de chaque style individuel.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095200737
SKU: 01-ADV20073

More about this title

About the Author: Bill Dobbins

Bill Dobbins is a composer, arranger, and jazz educator whose work bridges classical training and jazz improvisation. His arrangements and compositional projects have been performed internationally, and he has developed pedagogical materials that help musicians understand jazz history through direct musical comparison rather than abstract theory.

Why we love this

This DVD accomplishes something rare: it makes stylistic differences audible and tangible by applying 24 different pianists' approaches to a single theme. Rather than asking students to memorize names and dates, you can play these back-to-back comparisons and let the music itself reveal what makes Tatum's virtuosity different from Monk's angular sensibility or how Corea's harmonic language diverges from Beirach's. It's a masterclass in listening that works equally well for jazz students and classical musicians curious about how solo jazz piano evolved.

What to expect

Like stepping through a gallery where the same painting hangs in 24 different rooms, each reimagined by a master. You hear stride walk into swing, stride evolve into bebop, bebop splinter into modal and free approaches. The recurring theme anchors you while the playing itself—the touch, the harmony, the rhythm, the silence—transforms.

Who it's for

Jazz piano students from intermediate level onward, as well as jazz history courses, ear training classes, and any pianist seeking to understand how personal voice emerges within tradition. Classical pianists exploring jazz will find concrete visual and sonic reference points; educators can use it as a primary source text that requires no translation.

How to get the most out of it

  • Listen through the entire DVD without stopping to absorb the arc of stylistic development across the century, then return to specific eras for deeper study.
  • Pause after each pianist's interpretation and try applying their approach to a tune you know, even if imperfectly. The DVD models techniques; your own playing brings understanding.
  • Compare pianists from the same era (Hines and Wilson, Smith and Ellington) to hear how individual voices emerged even within shared harmonic languages and rhythmic contexts.
  • Use the common theme as a reference point. Having "All of Me" as your anchor helps you isolate what each pianist is actually doing rather than hearing only surface-level differences.

How to use it

Incorporate into jazz history units as your primary listening text, pairing it with transcription and performance assignments where students learn a solo from their chosen pianist. It also works as a summer study guide or individual enrichment resource for pianists preparing for jazz auditions or competitions, offering genuine models rather than theoretical abstraction.

Skills your students will build

  • Recognizing stylistic markers across swing, bebop, modal, and contemporary jazz piano approaches
  • Listening analytically to harmony, rhythm, voicing, and touch as distinct elements of personal style
  • Understanding how individual voice develops within historical tradition
  • Identifying influences and connections between pianists across generations
  • Applying observed stylistic approaches to familiar standards and original compositions

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