L'Arlesienne Suites Nos. 1 & 2 Cover Image

L'Arlesienne Suites Nos. 1 & 2: Piano Book

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L'Arlesienne Suites Nos. 1 & 2 Cover Image

L'Arlesienne Suites Nos. 1 & 2: Piano Book

By Georges Bizet

Level: Intermediate / Advanced

Item: 00-K09906

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Description
Georges Bizet composed the incidental music for Alphonse Daudet's play L'Arlésienne, which was performed beginning in October, 1872. Bizet wrote several folk-like themes for the music but also incorporated three existing tunes from a folk-music collection published by Vidal of Aix. This version is for solo piano. The first Suite includes: Prelude * Minuetto * Adagietto * Carillon. The second Suite includes: Pastorale * Intermezzo * Menuet * Farandole.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, L'Arlesienne Suites Nos. 1 & 2: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 60
ISBN10: 0-7692-5433-0
ISBN13: 978-0-7692-5433-3
UPC: 029156637649
SKU: 00-K09906

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) was a French composer whose gift for melody and orchestral color made him one of the most performed composers of the Romantic era, despite a career cut short by his death at age 36. He studied at the Paris Conservatoire and won the Prix de Rome, spending three years in Italy before returning to Paris to compose operas, orchestral works, and incidental music that blended Italian lyricism with French elegance.

Bizet's facility with folk melody and his ability to write idiomatically for any ensemble made him a natural choice for theater commissions. L'Arlésienne, composed for Alphonse Daudet's play in 1872, showcases both his gift for memorable themes and his skill at adapting existing folk material into sophisticated concert works. The four movements of each suite have become staples of the piano and orchestral repertoire.

Why we love this

These suites offer pianists access to Bizet's most enduring melodies in forms that sit comfortably under the hands while demanding genuine musicianship. The blend of Mediterranean folk character with romantic harmonic warmth makes these pieces both refreshing and substantial, rewarding careful pedal work and attention to phrasing without requiring virtuosic display.

What to expect

Sun-drenched Provençal landscapes emerge through these pages: the Prelude opens with tender lyricism, the dances pulse with Mediterranean vitality, and the slower movements invite you into quiet reflection. Throughout all eight movements runs the thread of folk melody, sometimes straightforward and charming, sometimes woven through richer harmonies that reveal Bizet's compositional sophistication.

Who it's for

Intermediate to advanced pianists seeking rewarding repertoire that blends accessibility with genuine artistic depth. These pieces suit recital programs, student competitions, or concert performances where you want to offer audiences Bizet's most beloved melodies in an intimate piano setting.

How to get the most out of it

  • Balance the Prelude's lyrical opening line against the accompaniment; Bizet's orchestral original relies on string color, so voicing becomes your tool for separation and warmth.
  • In the Minuetto and Menuet movements, maintain a clear pulse while allowing the melody its expressive freedom; these dances invite flexibility without losing their rhythmic foundation.
  • The Farandole's driving rhythm benefits from consistent tempo and attention to dynamic contrast; let the folk melody sing through the steady accompaniment pattern rather than allowing it to blur.
  • Explore the sustain pedal carefully in the Adagietto and Intermezzo to create harmonic color, but change it frequently enough that bass lines remain clean and voices stay distinct.

How to use it

Program individual movements as shorter pieces (the Carillon or Farandole work beautifully as standalone concert closers), or present both suites as a substantial single work for a solo recital. These pieces pair naturally with other Romantic salon repertoire or French keyboard music, and they offer a welcome change of pace in programs that might otherwise lean heavily toward Germanic traditions.

Skills your students will build

  • Pedal control and harmonic voicing in Romantic-era accompaniment textures
  • Balancing melody and accompaniment across the keyboard
  • Maintaining rhythmic clarity while sustaining lyrical phrasing
  • Reading and interpreting folk-inspired melodies with appropriate character
  • Understanding dance forms (menuet, farandole) and their stylistic requirements

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