L'Arlesienne Suite No. 2 for Band Cover Image

L'Arlesienne Suite No. 2 for Band: Concert Band, Score and Parts

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L'Arlesienne Suite No. 2 for Band Cover Image

L'Arlesienne Suite No. 2 for Band: Concert Band, Score and Parts

By Georges Bizet, transcr. Charles Godfrey, Jr./ ed. Alfred Reed

Grade: 4.5

Item: 36-M908402

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Description
Georges Bizet composed L'Arlésienne as incidental music to Alphonse Daudet's play of the same name, usually translated as "The Girl from Arles." This transcription for advance band was made by Charles Godfrey, revised and edited by Alfred Reed. Grade 4.5, Length ca. 18'. Mvts: I. Pastorale II. Intermezzo III. Farandole

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Additional Details
Series: Master Band Series - LudwigMasters
Publisher: Keiser Productions, Inc.
Page Count: 436
ISBN10: 1-57-134473-X
ISBN13: 978-1-57-134473-1
UPC: 660355084416
SKU: 36-M908402
Instrumentation: Concert Band

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) was a French composer whose gift for melody and orchestration shaped the operatic landscape of the 19th century. Though he died at 36, his work demonstrated a rare combination of structural sophistication and emotional directness that made his music immediately accessible to performers and audiences alike.

Why we love this

Reed's revision of the Godfrey transcription captures the orchestral brilliance of Bizet's original while sitting perfectly in the concert band idiom. The three movements offer contrasting colors without demanding extreme technical pyrotechnics, making this an ideal showcase for a strong intermediate ensemble that's ready to play with real musical substance.

What to expect

Sunlit Provençal landscapes give way to tender, intimate moments, then explode into rustic celebration. Bizet's melodies sing throughout, and the band writing preserves the original's orchestral textures while honoring what makes concert band special.

Who it's for

This arrangement serves ensembles with solid fundamentals and reliable intonation who are ready to tackle repertoire with real concert hall pedigree. Directors seeking a substantial work that bridges the gap between student-level repertoire and advanced literature will find this a natural fit.

How to get the most out of it

  • Balance the pastoral opening so the first movement doesn't drag; Bizet's writing here is simple but requires forward momentum and clear phrasing to avoid sounding static.
  • The Intermezzo's lyrical sections need consistent vibrato support in the woodwinds and horns to match the warmth Bizet intended.
  • Lock the rhythmic vitality of the Farandole by having the percussion section sit together during sectionals; this movement's energy depends on precise ensemble feel more than individual note accuracy.

How to use it

Program this as the centerpiece of a concert featuring 19th-century European masterworks, or pair it with contemporary band compositions to show how the concert band repertoire connects to the classical canon. Its 18-minute span works equally well as a full concert opener or as the climactic work of a shorter program.

Skills your students will build

  • Sustaining lyrical phrasing across eight and sixteen-bar phrases
  • Balancing ensemble sound when melodies pass between sections
  • Executing rhythmic precision in compound meters (the Farandole)
  • Responding to subtle dynamic shadings that shape melodic contour
  • Reading and executing articulation patterns that vary across movements

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