L'Arlesienne Suite No. 1 Cover Image

L'Arlesienne Suite No. 1: String Orchestra, Score and Parts

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L'Arlesienne Suite No. 1 Cover Image

L'Arlesienne Suite No. 1: String Orchestra, Score and Parts

By Georges Bizet, arr. William Ryden

Grade: 4

Item: 36-M800190

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Description
L'ARLÉSIENNE (THE WOMAN FROM ARLES), a play produced in 1872, was adapted from an 1868 novel by the author Alphonse Daudet. Georges Bizet (1838-1875) was commissioned to write the incidental music for the play and actually performed the harmonium part in the premiere performance. The play received a poor reception, seeing only 21 runs. But Bizet went on to arrange the first concert suite the same year as the play's production, and the music quickly became, and has remained, popular on orchestral concert programs. The second concert suite was arranged seven years later in 1879, four years after Bizet's death. Movements: I. Prélude; II. Menuet; III. Adagietto; IV. Carillon. This version of L'ARLESIENNE SUITE No. 1 for string orchestra is arranged by William Ryden.

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Additional Details
Series: StringMasters - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 659859174419
SKU: 36-M800190
Instrumentation: String Orchestra (8-8-5-5-5 in set)

More about this title

About the Composer: Georges Bizet

Georges Bizet (1838-1875) was a French composer whose gift for melody and orchestration shaped the operatic landscape of the nineteenth century. Born in Paris and trained at the Conservatoire, Bizet composed prolifically across opera, ballet, and orchestral music, though much of his work remained unknown during his lifetime. His sudden death at thirty-six cut short a career that was only beginning to gain recognition; today, his operas and concert suites are cornerstones of the repertoire.

Bizet's ability to write music that was both dramatically sophisticated and immediately accessible made him an ideal composer for theater work. When he was commissioned to write incidental music for Alphonse Daudet's play L'Arlésienne in 1872, he created a score that outlasted the production itself. The four movements of Suite No. 1, arranged for orchestra the same year, became more famous than the play they accompanied, demonstrating Bizet's instinct for melody and his mastery of orchestral color.

Why we love this

Ryden's string orchestra arrangement captures the orchestral sophistication of Bizet's original while remaining perfectly balanced for the young orchestra. The suite moves seamlessly between lyrical passages and rhythmic vitality, offering string players genuine musical substance without melodic or technical overreach. Directors will find a work that programs beautifully alongside nineteenth-century repertoire, appeals immediately to audiences, and provides rewarding challenges in blend, phrasing, and ensemble coordination.

What to expect

L'Arlésienne Suite No. 1 evokes the sun-drenched landscapes of southern France through Bizet's gift for memorable melody and transparent orchestration. The music moves from intimate Provençal charm to joyful celebration, with the Adagietto offering a moment of tender reflection before the energetic Carillon closes the suite on a note of bright affirmation.

Who it's for

String orchestras in Grades 3-5 will find appropriate technical demands and musical substance in this suite. The arrangement works well for groups with developing intonation and rhythmic precision but sufficient maturity to handle lyrical playing and expressive phrasing.

How to get the most out of it

  • Shape the opening Prélude with long, connected bowing that allows the melody to sing above the harmonic foundation. The success of this movement rests on the first violins' ability to sustain the legit without wavering.
  • Bring out the dance character of the Menuet by keeping the articulation crisp and the rhythm buoyant; avoid heaviness, which will flatten the period structure.
  • Balance the inner voices carefully in the Adagietto. The violas and cellos carry significant harmonic responsibility here, and they must be heard without overpowering the first violins' sustained lines.
  • The Carillon benefits from a bright, energetic approach with clear attacks and precise rhythmic unity. Emphasize the folk-like character of the melody and maintain momentum through the finale.

How to use it

This suite pairs naturally with other nineteenth-century orchestral works and stands equally well as a main-program selection or as a concert opener that sets an accessible, engaging tone. Consider pairing it with contemporary or twentieth-century string repertoire to highlight the historical arc of orchestral writing, or program it alongside lighter ballet and opera suites for a thematic concert celebrating the theater.

Skills your students will build

  • Sustained legit and connected phrasing across multiple phrases
  • Balancing melody and accompaniment in a full string texture
  • Playing with rhythmic precision in contrasting meters and styles
  • Maintaining intonation in sustained chords and inner voice lines
  • Responding to expressive direction while maintaining ensemble unity

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