Knights and Castles Cover Image

Knights and Castles: Brass Quintet Score & Parts

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Knights and Castles Cover Image

Knights and Castles: Brass Quintet Score & Parts

By David Marlatt

Level: Easy

Item: 81-BQ18462

$15.00
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Description
The heroic knights and the magnificent castles! This short, simple piece uses only the first six notes found in most method books and makes a great first ever brass quintet piece for a very young ensemble. The tuba and trombone get several chances with the melody which helps to encourage them to love their instrument!

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-481-X
ISBN13: 978-1-77157-481-5
UPC: 685462024827
SKU: 81-BQ18462

More about this title

Why we love this

Marlatt understands what young brass players need: immediate success with limited technical demands and real musical satisfaction. The deliberate feature of giving tuba and trombone genuine melody lines transforms these often-accompaniment voices into stars, which builds confidence and genuine enthusiasm for the instrument from day one.

What to expect

Stout and adventurous without pretension. The melody travels boldly through the quintet like knights moving across a castle courtyard, always forward-moving and uncomplicated. Low brass moments feel especially satisfying; there's genuine heroism in a tuba playing the main theme for the first time.

Who it's for

Young brass ensembles meeting for the first time, whether in a full band setting, small brass club, or mixed rehearsal where five players can pull away for a dedicated quintet project. This works equally well as a standalone piece or as a confidence-builder before tackling larger ensemble works.

How to get the most out of it

  • Balance the melody across the five voices as it passes from trumpet to horn to trombone to tuba. Young players often play their own part in isolation, so mark dynamic adjustments that bring out whoever holds the tune.
  • Establish a steady pulse first without the score; clap the rhythm together and speak the note names before adding instruments. This removes sight-reading anxiety and lets players focus on blend.
  • Record a run-through on your phone and play it back during sectionals. Hearing themselves as an ensemble shifts young players' perspective from individual parts to collective sound.
  • Keep articulation simple and unified. Mark a single tonguing style for all five players and stick with it; consistency matters far more than interpretation at this stage.

How to use it

Program this at a school concert, chamber showcase, or festival to open the brass segment with something immediate and charming. It also works brilliantly as a rehearsal reward or end-of-unit performance piece for a beginning band that's ready to experience genuine small-ensemble playing but not yet ready for mature repertoire.

Skills your students will build

  • Reading within a five-note range (first six notes of method books)
  • Balanced melody passing across different instruments
  • Rhythmic precision in a small ensemble without a conductor
  • Listening to and blending with four other brass voices
  • Building confidence on secondary voices (trombone and tuba as featured players)

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