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Kingsfold: Interchangeable Woodwind Ensemble Score & Parts

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Kingsfold: Interchangeable Woodwind Ensemble Score & Parts

Traditional English Folk Song / arr. David Marlatt

Item: 81-WWE223213

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Description
This beautiful folk song has been used as the melody for several popular hymns including: I Heard the Voice of Jesus Say, O Sing a Song of Bethleheim, I Feel the Winds of God Today and several others. It is a beautiful work that seems to float along both melodically and harmonically. This arrangement is opened by a solo voice with a sense of a lone player on the top of a hill surrounded by mist. The tune is then played in full quartet voicing leading to other variations and rescorings. Ending, as it began, very peacefully.

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Additional Details
Publisher: Eighth Note Publications
ISBN10: 1-77157-985-4
ISBN13: 978-1-77157-985-8
UPC: 685462029860
SKU: 81-WWE223213

More about this title

Why we love this

Marlatt's arrangement respects the hymn tune's meditative quality while giving your ensemble genuine compositional interest. The solo opening immediately establishes an intimate sound world, and the varied rescorings that follow feel organic rather than mechanical, giving every player moments to shine without demanding virtuosity.

What to expect

The arrangement unfolds like a spiritual landscape: a single voice emerging from mist, then gradually joined by friends until the full group moves through the melody in rich harmony, before finally fading back into solitude. Throughout, there's a sense of gentle forward motion and acceptance rather than urgency.

Who it's for

Woodwind ensembles of mixed ability seeking accessible, meaningful repertoire that bridges sacred and secular contexts. This works equally well for community bands, church music programs, and school ensembles looking for concert material that sounds polished without excessive technical demands.

How to get the most out of it

  • Shape the opening solo with considerable space and air around the phrase. The "lone player on a hill" image works best when the player resists rushing; think about the silence as much as the notes.
  • Balance the full quartet sections so the melody remains clear without the harmony disappearing. Woodwind blend rewards careful dynamic listening in rehearsal.
  • Use the arrangement's textural shifts as natural breath points. Each rescoring offers a chance to reset the ensemble's collective attention and refresh the listener's ear.
  • Approach the final return to solo and quiet close with the same care you gave the opening. Symmetry matters here; end as peacefully as you began.

How to use it

This pairs beautifully with other folk song arrangements or hymn-based pieces in a concert devoted to spiritual or folk themes. It also serves as an excellent opener or closer for a mixed program, offering your audience a moment of reflection and beauty without demanding their constant engagement.

Skills your students will build

  • Ensemble balance in chorale-style textures
  • Phrasing and line continuity across multiple rescorings
  • Sensitivity to dynamic contrast and textural shading
  • Listening to accompany a featured solo voice

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