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Kingmaker: String Orchestra Conductor Score & Parts

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Kingmaker: String Orchestra Conductor Score & Parts

By Peter Sciaino

Grade: 1

Item: 98-RWS237700

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Description
Balancing sinister themes with bold harmonies, this impressive work was inspired by a historic figure of the middle ages. Regular doublings between Violin II and Viola, as well as octaves between cello and bass, will encourage young players to play confidently while focusing on intonation. Your developing musicians will love the extending technique of "finger taps" which asks them to gently tap the body of their instruments to create percussive sounds.

Original Item#: RWS-2377-00

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Additional Details
Series: RWS - Beginning Strings
Publisher: RWS Music Company
ISBN10: 1-4706-9259-7
ISBN13: 978-1-4706-9259-9
UPC: 038081608440
SKU: 98-RWS237700

More about this title

Why we love this

Sciaino crafts a piece that treats programmatic content seriously at the Grade 1 level, avoiding cuteness while remaining accessible. The doublings between Violin II and Viola, plus octaves between cello and bass, give young players genuine confidence without sacrificing intonation work. Finger taps add theatrical dimension that engages developing musicians in extended technique without overwhelming them.

What to expect

Medieval intrigue rendered in young string voices. The piece oscillates between shadowy, urgent moments and swelling harmonic statements, creating dramatic tension that feels both theatrical and genuinely musical. Finger taps punctuate the narrative like whispered conspiracies.

Who it's for

Beginning string orchestras with access to all four string parts and enough players to support the doublings built into the score. This work rewards groups ready to explore character and expression beyond early technical exercises.

How to get the most out of it

  • Balance the sinister themes by keeping articulation clean and deliberate; younger players often rush darker material, so lock in tempo with your conducting.
  • Rehearse the finger taps separately before combining them with pitched material. Have students practice tapping the body gently to find a consistent sound across the section.
  • Use the regular doublings to your advantage by having Violin II and Viola focus together on blend and intonation before adding the full texture.
  • Shape the bold harmonies by asking players to listen vertically within their pairs (Violin II/Viola and Cello/Bass) before worrying about horizontal line.

How to use it

Pair this with lighter or more lyrical Grade 1 works to showcase range in your developing ensemble's storytelling. It works well mid-concert as a tonal shift that signals your young players are growing into more sophisticated repertoire.

Skills your students will build

  • Intonation within harmonic doublings
  • Extended technique (finger taps) and timbral variety
  • Character and articulation differentiation (sinister vs. bold themes)
  • Confidence playing in octaves and supporting harmonies
  • Listening for blend within paired sections

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