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King Arthur: Brass Band Score

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King Arthur Cover Image

King Arthur: Brass Band Score

Scenes from a radio drama

By Benjamin Britten

Item: 12-0571572073

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Description
King Arthur was the first of 28 scores Benjamin Britten composed for radio between 1937 and 1947. It was an ambitious dramatization of King Arthur's life and times; part pageant, part play, part cantata; written by D.G. Bridson. This colorful suite incorporates the "Introduction," a dramatic "Wild Dance," some of the music underscoring the scenes for "Galahad and The Holy Grail," and two vivid battle scenes, ending with "The Final Battle" and "Apotheosis." King Arthur (scenes from a radio drama) for brass band should not be confused with a much longer orchestral suite, which Paul Hindmarsh devised from the same source in 1995.

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Additional Details
Series: Faber Edition: Faber Brass Band Series
Publisher: Faber Music
ISBN10: 0-571-57207-3
ISBN13: 978-0-571-57207-6
UPC: 9780571572076
SKU: 12-0571572073

More about this title

About the Composer: Benjamin Britten

Benjamin Britten (1913–1976) was one of the twentieth century's most prolific and versatile composers. Beyond his celebrated operas, song cycles, and choral works, he wrote extensively for theater, film, and radio, often bringing the same structural clarity and inventive orchestration to applied music as to concert works. His radio scores from the 1930s and 1940s demonstrate his ability to craft dramatic narratives through instrumental color and memorable melodic writing, even within tight time constraints and functional contexts.

Britten's gifts for narrative storytelling and instrumental brilliance made him equally comfortable writing for children's concerts, amateur musicians, and professional ensembles. His facility with brass writing is evident throughout his output, from his famous Young Person's Guide to the Orchestra to works like King Arthur, where dramatic episodes required sharp contrasts and vivid orchestral gesture.

Why we love this

Britten's King Arthur sits at a fascinating intersection: it's substantial enough for a serious contest program, yet dramatically driven rather than technically forbidding. The score's episodic structure (introduction, wild dance, holy grail scenes, two battle sequences) gives a brass band genuine narrative arc without demanding operatic scope, and the finale's shift toward apotheosis provides an uplifting close that audiences remember.

What to expect

Britten's King Arthur unfolds like scenes from a stained-glass window: vivid, colorful, and shifting between moments of pageantry and intimate drama. The introduction sets an atmospheric stage, the wild dance crackles with energy, and the holy grail music opens into something almost ethereal before returning to martial intensity. By the final apotheosis, the brass band has traced the arc of legend, landing on a moment of transcendence.

Who it's for

This score suits advanced brass bands preparing for contest or festival programs. It demands secure intonation, rhythmic independence across the band, and the maturity to shape longer musical narratives, making it ideal for established ensembles rather than developing ones.

How to get the most out of it

  • Balance the drama across movements by letting each episode breathe distinctly; the 'Wild Dance' needs genuine rhythmic swagger, while the 'Holy Grail' music calls for restraint and transparency.
  • Track the weight of the brass colors across the suite. Britten shifts between sections of the band for textural variety, so assign principal voices strategically rather than always doubling the melody.
  • Shape the two battle sequences with clear dynamic peaks and valleys. Britten builds momentum through repetition and accumulation; resist the urge to let fortissimo sections collapse into a single dynamic level.
  • Use the recorded accompaniment to lock ensemble precision during the faster, more rhythmically complex sections like the 'Wild Dance,' then rehearse the sustained passages without it to develop independent musicianship.

How to use it

Program this as the centerpiece of a contest or festival concert that celebrates twentieth-century narrative music. It pairs well with shorter contemporary pieces that share Britten's precision and color sense, and it provides a natural programming bridge between traditional brass band repertoire and modern festival works.

Skills your students will build

  • Sustaining lyrical lines across long phrases without loss of tone quality
  • Executing rapid meter changes and syncopated rhythms in the dance sections
  • Balancing harmonic color across the full brass band spectrum
  • Shaping dynamic arcs over multiple-movement structures
  • Reading and interpreting narrative intent from musical gesture and orchestration

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