Khutulun: Concert Band Conductor Score & Parts
By Tim Thompson
Level:.5
Item: 00-PK-0009144
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Khutulun: Score | $10.00 | |
| Khutulun: Flute | $3.00 | |
| Khutulun: Oboe | $3.00 | |
| Khutulun: Bassoon | $3.00 | |
| Khutulun: 1st B-flat Clarinet | $3.00 | |
| Khutulun: B-flat Bass Clarinet | $3.00 | |
| Khutulun: E-flat Alto Saxophone | $3.00 | |
| Khutulun: B-flat Tenor Saxophone | $3.00 | |
| Khutulun: E-flat Baritone Saxophone | $3.00 | |
| Khutulun: 1st B-flat Trumpet | $3.00 | |
| Khutulun: 1st F Horn | $3.00 | |
| Khutulun: 1st Trombone | $3.00 | |
| Khutulun: Baritone B.C. | $3.00 | |
| Khutulun: Baritone T.C. | $3.00 | |
| Khutulun: Tuba | $3.00 | |
| Khutulun: Timpani | $3.00 | |
| Khutulun: Bells | $3.00 | |
| Khutulun: 1st Percussion | $3.00 | |
| Khutulun: 2nd Percussion | $3.00 | |
| Khutulun: 3rd Percussion | $3.00 |
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Description
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More about this title
About the Composer: Tim Thompson

Tim Thompson combines classroom experience with active composition and performance. After earning degrees in music education from Temple University and music technology from the University of Valley Forge, where he studied composition with Scott Watson, Thompson brought his training into public school teaching. He currently directs general and instrumental music in the Warwick School District in Lititz, Pennsylvania, while maintaining an active performance schedule on trumpet throughout central Pennsylvania and serving as worship director at Jerusalem Church in Manheim.
Thompson's dual life as both educator and composer informs his approach to writing for student ensembles. Living in Lancaster County with his family, he understands firsthand what beginning bands can accomplish and what repertoire serves them best.
Why we love this
Thompson captures genuine drama without overwhelming young musicians. The programmatic storytelling about Khutulun gives your ensemble a vivid narrative to follow, which helps players understand why the dissonance and percussion effects matter musically rather than feel arbitrary. At just ninety seconds, it's substantial enough for a real performance moment but brief enough to polish thoroughly.
What to expect
A warrior in motion. The piece pulses with determination and power, with percussion and clashing harmonies capturing the intensity of battle while Thompson's orchestration keeps everything transparent enough for a young ensemble to control. You hear both the fearlessness of the princess and the raw energy of her charge.
Who it's for
Beginning concert bands seeking programmatic repertoire with real character. This work gives young musicians a concrete image to embody and teaches them that dissonance and unconventional sounds serve musical storytelling.
How to get the most out of it
- Balance the dissonant clashes carefully; these are intentional but need to land with clarity rather than blur into mud. Have your winds rehearse the clashing moments in isolation first so they can hear the individual lines.
- Shape the opening to establish Khutulun's character before the action intensifies. A strong, confident beginning sets the stage for everything that follows.
- Let your percussion section own their role fully. They're not accompanying here; they're painting the battle scene alongside the winds and brass.
How to use it
Program this as an opener or closing statement on a concert featuring other beginning band repertoire. Its brief duration and programmatic appeal make it ideal for festival competitions, where it can grab judges' and audiences' attention immediately. It pairs well with more lyrical or traditional selections, offering dramatic contrast.
Skills your students will build
- Reading and executing dissonant harmonies with intonation control
- Responding to programmatic narrative through dynamic and articulation choices
- Coordinating ensemble sound across independent melodic lines
- Percussion literacy and rhythmic coordination with pitched instruments