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Keys to Artistic Performance, Book 2: Piano Book

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Keys to Artistic Performance, Book 2: Piano Book

24 Intermediate to Late Intermediate Pieces to Inspire Imaginative Performance

Ed. Ingrid Jacobson Clarfield and Dennis Alexander

Level: Intermediate / Late Intermediate

Item: 00-29992

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Description
This unique series teaches skills used by professional pianists to make their performances more expressive and dramatic. Students will explore five keys for achieving performance artistry: color, pedaling, rubato/rhythmic freedom, characterization and choreography. In-depth information helps students understand the concepts of balance, voicing, pedal techniques, and how to move at the piano. Titles: German Dance, D. 365, No. 12 (Schubert) * Dawn (Bartók) * Idylle, Op. 126, No. 1 (Chaminade).* German Dance, D. 783, No. 14 (Schubert) * Gavotte, Op. 36, No. 2 (Amy Beach) * Cradle Song, Op. 124, No. 6 (Schumann) * Mazurka (Glinka) * Impresiones intimas, No. 2 (Mompou) * Naughty Boy, from For Children, Vol. 1, Sz. 42, No. 21 (Bartók) * A Little Girl Pleading with Her Mother, Op. 37, No. 1 (Rebikov) * A Little Girl Rocking Her Dolly, Op. 37, No. 7 (Rebikov) * The Bell Tolls (Liszt) * Valse brillante, No. 5 from Valses poético (Granados) * Waltz in A Minor, Op. Posthumous (Chopin) * Waltz, Op. 12, No. 2 (Grieg) * Whimsy (Dennis Alexander) * Canon, from For Children, Vol. 2, Sz. 42, No. 31 (Bartók) * Waltz, Op. 39, No. 3 (Brahms) * Venetian Gondola Song, from Songs without Words, Vol. 2, Op. 30, No. 6 (Mendelssohn) * Rapsodia Española (Dennis Alexander) * Tarentelle, Op. 123, No. 10 (Chaminade) * Galop final (Casella) * Gallactica (Dennis Alexander).

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Additional Details
Series: Keys to Artistic Performance
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-5131-8
ISBN13: 978-0-7390-5131-3
UPC: 038081324586
SKU: 00-29992

More about this title

About the Author: Ingrid Jacobson Clarfield

Ingrid Jacobson Clarfield

Ingrid Jacobson Clarfield served as Professor of Piano Emerita at Westminster Choir College of Rider University and has spent decades establishing herself as a leading voice in piano pedagogy and performance. A nationally recognized lecturer and recitalist, she has conducted workshops and master classes in over 175 cities across 40 states, appearing at State and National MTNA Conferences, the National Conference of Keyboard Pedagogy, and major festivals throughout North America. Her authored works include twenty-six books addressing performance technique and artistry.

Clarfield's contributions to music education have earned her numerous honors: MTNA Foundation Fellow (2006), first recipient of the NJMTA Teacher of the Year award (2009), MTNA Teacher of the Year (2012), NCKP Lifetime Achievement Award (2015), and induction into the Steinway and Sons Teachers Hall of Fame (2019). Her pre-college studio students have won hundreds of state, national, and international competition awards, performing at venues including Lincoln Center, Carnegie Hall, Kennedy Center, and Weill Recital Hall. Beyond competitive success, Clarfield has prioritized community engagement, directing her students in outreach concerts that benefit charitable organizations and provide performances for nursing homes and community facilities.

Why we love this

This collection bridges the gap between learning repertoire and understanding how professionals shape meaningful performances. Rather than treating artistry as something that comes later, Clarfield and Alexander weave five essential performance elements (color, pedaling, rubato, characterization, and choreography) directly into your students' practice with accessible masterworks, making technique transparent and immediately applicable.

What to expect

Opening this book feels like gaining access to a master class in the room. The selections range from delicate and introspective (Chaminade's Idylle, Schumann's Cradle Song) to spirited and playful (Bartók's Naughty Boy, Alexander's Whimsy), each piece chosen to illuminate one or more of the five keys. You'll discover how a simple waltz becomes transformed through thoughtful pedaling and rubato, and how characterization can turn a familiar form into something distinctly personal.

Who it's for

Intermediate and late-intermediate pianists ready to move beyond note-reading toward expressive interpretation. This book serves students preparing for competitions, recitals, or auditions, as well as those building a foundation in artistic performance practices that will serve them throughout their musical lives.

How to get the most out of it

  • Experiment with voicing and balance in pieces with multiple melodic lines (such as the Mendelssohn Gondola Song and Brahms Waltz). Listen critically to which voice emerges and adjust hand weight accordingly to reveal the composer's intentions.
  • Study the pedal techniques explained in the text before tackling pieces that demand color shifts. Schubert's German Dances and Mompou's Impresiones intimas offer excellent opportunities to apply half-pedal and syncopated pedaling in context.
  • Record yourself performing each piece twice: once following the score literally, and again incorporating the rubato and characterization concepts from the book. Compare the recordings to hear how interpretive choices reshape the emotional arc.
  • Consider the physical choreography at the keyboard alongside the musical material. Works like Liszt's The Bell Tolls benefit from intentional hand positioning and gesture that reinforces the musical narrative you're developing.

How to use it

Build a recital around three to five pieces from this collection to showcase your students' growth in artistry and interpretation. Pair selections with contrasting characters: perhaps Mendelssohn's Gondola Song (lyrical and flowing) followed by Granados' Valse brillante (virtuosic and brilliant). The variety of compositional styles and national traditions makes this book excellent for a semester-long focus on artistic performance, returning to individual pieces as students deepen their understanding of pedaling, balance, and expressive technique.

Skills your students will build

  • Pedaling techniques including half-pedal, syncopated pedaling, and color changes through selective damper use
  • Voicing and balance in multi-voice textures
  • Rubato and rhythmic freedom within structural integrity
  • Character interpretation and emotional characterization in classical forms
  • Physical choreography and intentional gesture at the keyboard
  • Expressive use of tempo variation and rubato in Romantic and contemporary works

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