Keep the Beat: 2-Part Choral Octavo
from the animated movie Vivo
Words and music by Lin-Manuel Miranda / arr. Andy Beck
Item: 00-PO-0006917
Minimum order quantity: 20 copies
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More about this title
About the Composer: Lin-Manuel Miranda
Lin-Manuel Miranda is a composer, lyricist, and performer whose work spans theater, film, and television. His breakthrough musical Hamilton redefined contemporary musical theater and introduced hip-hop and rap into the Broadway canon, earning him a Pulitzer Prize and demonstrating his ability to blend vernacular language with sophisticated musical architecture. Beyond the stage, Miranda has composed for animated films including Vivo, Encanto, and Moana, consistently bringing the same rhythmic innovation and emotional directness to his screen work that made his theatrical compositions influential.
For music educators, Miranda's catalog offers accessible entry points into contemporary composition. His writing privileges clear melodic lines, rhythmic vitality, and singable parts even when layering complexity underneath. Whether students encounter his work through choral arrangements, film soundtracks, or recorded performances, they experience music that reflects how contemporary artists actually write and think about storytelling.
Why we love this
Andy Beck's arrangement captures the infectious optimism of Miranda's original without sacrificing the syncopated rhythmic backbone that makes the song distinctive. A 2-part voicing keeps the piece accessible to developing choirs while the descant counterline and body percussion interludes provide enough musical texture to keep rehearsals engaging and performance interesting. This is uplifting music with real substance behind it.
What to expect
Buoyant and propulsive, with the kind of infectious rhythm that makes you want to move. The syncopated patterns and rap-influenced phrasing create forward energy, while the bright harmonies and counterline add warmth and depth. It's uplifting without being saccharine, modern without feeling dated.
Who it's for
Middle school and high school choirs seeking contemporary material with immediate appeal and positive messaging will find this piece ideal. Developing singers benefit from the straightforward 2-part voicing, while the rhythmic complexity and arrangement details offer enough challenge to keep more experienced singers engaged.
How to get the most out of it
- Establish the syncopated rhythms independently before layering them with the melody. Have singers speak the rhythm section's patterns as spoken word first, then add pitch.
- Treat the body percussion interludes as a genuine musical moment, not filler. Work them into your rehearsal as carefully as you would any vocal passage to ensure clarity and ensemble unison.
- The recorded accompaniment locks the groove in place; use it strategically in rehearsals to anchor rhythmic security, but also work sections a cappella to develop internal pulse and independence.
- Emphasize the rap-like riffs and energetic phrasing; this music asks for forward motion and rhythmic specificity rather than lyrical, sustained singing.
How to use it
Program this as a concert opener or second piece to energize an audience and set an optimistic tone for the program. It pairs naturally with other contemporary pop-influenced choral work or can anchor a concert themed around perseverance, growth, or joy. The manageable length and straightforward staging make it a strong choice for festivals or competitions where contemporary selections are encouraged.
Skills your students will build
- Syncopated rhythm reading and performance
- Layering independent rhythmic patterns while maintaining ensemble unity
- Rap-influenced phrasing and diction clarity
- Body percussion coordination and rhythmic independence
- Singing with contemporary harmonic language and countermelody awareness