Keep the Beat: SAB / 3-Part Mixed Choral Octavo
from the animated movie Vivo
Words and music by Lin-Manuel Miranda / arr. Andy Beck
Item: 00-PO-0006916
Minimum order quantity: 20 copies
One moment…
Related Items
Keep the Beat: SoundTrax Digital Audio Download |
$29.99
|
View | |
Keep the Beat: SATB Choral Octavo |
$2.25
|
View | |
Keep the Beat: 2-Part Choral Octavo |
$2.25
|
View | |
Keep the Beat: SATB Choral Octavo |
$2.25
|
View | |
Keep the Beat: SAB / 3-Part Mixed Choral Octavo |
$2.25
|
View | |
Keep the Beat: 2-Part Choral Octavo |
$2.25
|
View | |
Keep the Beat: Choral Octavo SoundTrax CD |
$29.99
|
View |
Description
Keep the Beat: SAB / 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Lin-Manuel Miranda
Lin-Manuel Miranda is a composer, lyricist, and playwright whose work has transformed contemporary musical theater. His compositions blend hip-hop, Latin rhythms, and pop sensibilities with deeply singable melodies and emotionally resonant storytelling. Miranda's output spans Broadway stages, film scores, and original songs for animated features, consistently demonstrating his ability to reach audiences across age groups and musical backgrounds.
Why we love this
Andy Beck's arrangement captures the infectious energy of Miranda's original without losing the song's message about resilience and forward momentum. The syncopated rhythms and rap-inflected phrasing keep singers engaged while remaining accessible to middle and high school choirs. The optional body percussion interludes give your ensemble a tactile, interactive moment that amplifies the "beat-keeping" theme and energizes both singers and audience.
What to expect
Energetic and motivational, with an infectious groove that propels the singers forward. The piece radiates optimism through syncopated rhythms and bright harmonies, then deepens its message with the counterline descant and body percussion, creating moments of both exuberance and introspection. You'll feel the tangible pulse of perseverance throughout.
Who it's for
Middle and high school choirs seeking contemporary, accessible repertoire with strong thematic resonance. This piece works equally well for choirs building confidence in popular styles and those looking to program something that connects emotionally with student singers and audiences. SAB voicing ensures broad accessibility while maintaining musical interest across all parts.
How to get the most out of it
- Lock the rhythmic feel by having the rhythm section (or a metronome if accompaniment is unavailable) establish the groove before the ensemble enters. These syncopated passages need a secure pulse underneath them.
- Articulate the rap-like riffs with precision and clarity. These sections demand crisp diction and rhythmic unity across all three parts to land the comedic and motivational impact.
- Embrace the body percussion moments as a full group. Even singers not assigned percussion can feel the groove; this builds ensemble cohesion and keeps the energy alive during transitions.
- Balance the descant counterline so it sits slightly above the main harmonic texture. The lively counterline should add brightness without obscuring the primary melody or harmonic progression.
How to use it
Program this as a concert opener or closer to set an uplifting tone for your event. Its contemporary style and positive message make it particularly effective in spring concerts, motivational assemblies, or end-of-year celebrations. The film connection also offers a natural talking point when introducing the piece to your audience.
Skills your students will build
- Syncopated rhythm reading and execution in a pop/contemporary style
- Rap-inflected diction and rhythmic precision in unison passages
- Three-part SAB voicing balance and blend
- Body percussion coordination integrated with singing
- Contemporary harmonic language and how it supports melodic phrasing