Kansas City Jones for SATB Cover Image

Kansas City Jones for SATB: Mixed Chorus, Choir, Choral Score

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Kansas City Jones for SATB Cover Image

Kansas City Jones for SATB: Mixed Chorus, Choir, Choral Score

By Jackson Berkey/ Text is traditional, adapted by Jackson Berkey

Item: 36-J98103

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Description
The tune CASEY JONES (alias K.C.; subtitled IN HOT PURSUIT OF SACREMENTO SIS-JOE!) takes place amidst train whistles and a dramatic spoken history, with a train in the choir! This song is great fun to sing and exciting to hear. Scored for mixed chorus, piano four-hands and train whistle with optional xylophone and marimba. Instrumental parts are available separately from the publisher. A version arranged for male chorus is also available.

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Additional Details
Series: SDGBerkey - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-895639-75-8
ISBN13: 979-8-895639-75-7
UPC: 612735539450
SKU: 36-J98103
Instrumentation: SATB Chorus, Piano 4-hands, Train Whistle, opt. Marimba/Xylophone (available separately)

More about this title

Why we love this

Berkey captures the storytelling spirit of the folk tune while adding theatrical flair that keeps singers and audiences engaged from the first whistle. The four-hand piano arrangement creates rhythmic momentum that mirrors the train's energy, and the optional percussion parts give you flexibility to scale the production up or down depending on your ensemble's size and instrumentation.

What to expect

A rollicking train journey set to music. The piece captures the energy and urgency of the old Casey Jones ballad while the piano four-hands arrangement provides steady momentum. Between the train whistle, optional percussion, and the spoken storytelling woven throughout, the whole experience feels cinematic and alive.

Who it's for

Mixed choirs looking for a show-stopping secular piece with narrative drive and built-in entertainment value. This works well for groups comfortable with some theatrical flair and able to coordinate ensemble timing with instrumental effects.

How to get the most out of it

  • Coordinate the train whistle cues with your accompanists during early rehearsals so the dramatic moments land cleanly. Mark these in the score ahead of time and talk through the pacing.
  • If you're using the xylophone or marimba, rehearse those parts separately before combining them with the full choir. The rhythmic interplay between percussion and voices needs precision.
  • Layer the voices gradually through rehearsal. Start with the melody line, then add harmony parts section by section so singers hear how their part fits the text and storyline.
  • Embrace the drama of the spoken history section. Encourage singers to listen actively and react appropriately, as if they're part of the audience hearing the story unfold.

How to use it

This piece thrives as a concert centerpiece or finale where you want to shift the mood toward fun and storytelling. Pair it with a ballad or art song earlier in the program to give your concert dramatic range, or use it to close a program on a high-energy note that audiences will remember.

Skills your students will build

  • Coordinating ensemble entrances and cutoffs with theatrical timing
  • Balancing melody and harmony in a narrative-driven arrangement
  • Responding to instrumental cues and percussion accompaniment
  • Managing text clarity while maintaining musical energy and momentum

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