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Kaboom!: Concert Band Conductor Score

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Kaboom!: Concert Band Conductor Score

By Vince Gassi

Grade: 2.5 (Medium Easy)

Item: 00-45995S

$8.00
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Description
Two notes . . . then two more. A counter-statement . . . then another. Ideas develop and unravel. Percussion punctuates, brass recapitulates, woodwinds decorate. Like a lit fuse, this new work will fascinate, enervate, and captivate---drawing you to the very end . . . and then . . . KABOOM! (2:50)

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 16
UPC: 038081524658
SKU: 00-45995S

More about this title

About the Composer: Vince Gassi

Vince Gassi

Vince Gassi brings two decades of classroom teaching experience to his prolific output as a composer and conductor. With a Bachelor of Music from the University of Western Ontario and advanced study in composition and arranging at Dick Grove School of Music in Los Angeles, he completed his Ph.D. at York University in Toronto. His more than 100 published works have earned him recognition across North America, Europe, and Japan, with frequent performances at prestigious venues including the Midwest Clinic.

Gassi's reputation rests on his ability to write music that challenges students while remaining deeply musical. He is a sought-after clinician and guest conductor, leading seminars on creative engagement and digital workflows for music directors. His work with young musicians across elementary and secondary levels informs every piece he writes, balancing accessibility with genuine artistic merit.

Why we love this

Gassi's architecture here is masterful: he hooks listeners immediately with a minimalist opening, then builds tension through relentless repetition and layering that holds the ensemble's focus across a tight 2:50 runtime. The percussion writing is particularly energetic without overwhelming the band at this level, and the payoff at the end justifies the entire journey. Your students will feel the momentum shift from development to climax, and audiences will remember the brass-driven recapitulation and that final explosive moment.

What to expect

Relentless and hypnotic at first, like watching a mechanism building momentum with each turn of the wheel. The repetition becomes oddly compulsive; you know something is coming, and the brass entrance shifts everything into focus before the explosive conclusion satisfies the tension that has been mounting from measure one.

Who it's for

This score suits bands working at the Grade 2.5 level who are ready for something with genuine structural sophistication. It works equally well for concert performance and festival play, offering the kind of modern energy that keeps younger musicians engaged without requiring virtuosic individual technique.

How to get the most out of it

  • Shape the repeated figures with dynamic intention from the very first two notes. These motifs are deceptively simple, and subtle gradations in volume and articulation will drive the listener's ear forward through each cycle.
  • Let the percussion hits land with precision and character. They are structural signposts, not mere punctuation; balance them to cut through without drowning the harmonic development in the winds.
  • Build toward the brass recapitulation by tightening the ensemble's unanimity as the piece accelerates. Clarity of texture matters more than volume at this grade level.
  • Reserve full dynamic power for the final section. The KABOOM lands harder when everything before it has been carefully controlled.

How to use it

Program this as a second or third piece in a concert to establish energy and modern sensibility, or use it as a contest selection where contemporary writing and clear narrative arc will impress adjudicators. At 2:50, it fits neatly into tight schedules and pairs well alongside more traditional concert band fare.

Skills your students will build

  • Executing repeated rhythmic figures with consistency and dynamic control
  • Responding to subtle textural changes and layering effects
  • Maintaining ensemble precision through accelerating tempos
  • Understanding how minimalist repetition builds structural momentum
  • Balancing rhythmic independence in percussion with unified brass and woodwind textures

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