Just for Two Easy Cover Image

Just for Two Easy: 2 Trumpets Part(s)

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Just for Two Easy Cover Image

Just for Two Easy: 2 Trumpets Part(s)

Various / arr. David Marlatt

Level: Easy-Medium

Item: 81-TE10194

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Description
This is a collection of arrangements of well-known music set for two like-instruments (or may be combined with other transposing instruments). These serve as a great introduction to chamber playing and working together without a conductor. Pieces included are "Hail the Conquering Hero," "March Militaire," "This Old Man Variations," "Steal Away," "Old MacDonald's Farm," "De Colores," "Men of Harlech," "Abide With Me" and "William Tell Overture."

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Sample Pages

Sample Audio
1 Abide With Me --:--
2 De Colores --:--
3 Hail the Conquering Hero --:--
4 March Militaire --:--
5 Men of Harlech --:--
6 Old MacDonald s Farm --:--
7 Steal Away --:--
8 This Old Man Variations --:--
9 William Tell Overture --:--

Abide With Me

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 20
ISBN10: 1-55473-617-X
ISBN13: 978-1-55473-617-1
UPC: 685462016181
SKU: 81-TE10194
Instrumentation: 2 Trumpets

More about this title

Why we love this

Marlatt has chosen repertoire that every trumpet player recognizes, which means students can focus entirely on listening to their partner and balancing sound rather than decoding unfamiliar melodies. The arrangements sit comfortably in the easy-medium range, allowing genuine musical ensemble work to happen without technical overwhelm. This collection transforms well-loved tunes into legitimate chamber music, not exercises.

What to expect

Familiar melodies gain new life when two voices intertwine. These arrangements balance melody and countermelody in ways that feel natural to play, creating moments of genuine musicianship where neither player dominates. The pieces range from march-like precision to gentler, more lyrical passages, offering variety in musical character across the collection.

Who it's for

Young trumpeters ready to play beyond solos but not yet skilled enough to navigate complex chamber writing. This collection also serves instructors who want to introduce ensemble concepts in a low-stakes, duet setting without the coordination demands of a full band or orchestra.

How to get the most out of it

  • Listen constantly to your partner's tone and volume. In a duet without a conductor, your ear is your only guide for balance and blend.
  • Identify which trumpet part carries the melody in each piece and let that part lead naturally. The supporting part should shadow the phrasing without imitating it exactly.
  • Establish a steady pulse before you begin by counting off together or tapping your foot visibly. Chamber players need this shared foundation more than ensemble musicians do.
  • Work on matching articulation and breath placement. When both players phrase identically, the duet sounds rehearsed and intentional.

How to use it

Assign these duets as regular sight-reading warm-ups during rehearsal, pairing different trumpet players each week to build flexibility and listening skills. Include one or two pieces on a recital or informal concert to showcase chamber work without requiring the full ensemble. Use them in studio lessons to teach collaboration and ensemble balance in an intimate setting.

Skills your students will build

  • Playing without a conductor and making real-time adjustments to balance and tempo
  • Distinguishing between primary and secondary melodic lines and supporting accordingly
  • Matching articulation and phrasing with a peer musician
  • Reading duet arrangements and understanding how two parts interact
  • Listening actively while playing rather than focusing only on individual part execution

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