Just for Two (Christmas) Cover Image

Just for Two (Christmas): 2 F Horns Part(s)

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Just for Two (Christmas) Cover Image

Just for Two (Christmas): 2 F Horns Part(s)

Various / arr. David Marlatt

Level: Medium

Item: 81-HE2727

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Description
This is a collection of arrangements of well-loved Christmas music set for two like-instruments. The arrangements are suitable for a variety of performance situations such as school concerts, at church or on Christmas gigs in a community. Pieces included are "Joy to the World," "I Saw Three Ships, "Silent Night," "We Three Kings," "Pat-a-Pan," "Gesu Bambino," "O Come, O Come Emanuel," "Ye Merry Gents," "Still, Still, Still." and "Riu, Riu, Chiu."

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Sample Audio
1 Gesu Bambino --:--
2 I Saw Three Ships --:--
3 Joy to the World --:--
4 O Come O Come Emanuel --:--
5 Pat a Pan --:--
6 Riu Riu Chiu --:--
7 Silent Night --:--
8 Still Still Still --:--
9 We Three Kings --:--
10 Ye Merry Gents --:--

Gesu Bambino

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-197-6
ISBN13: 978-1-55473-197-8
UPC: 685462011988
SKU: 81-HE2727
Instrumentation: 2 F Horns

More about this title

About the Arranger: David Marlatt

David Marlatt has built a reputation for creating accessible arrangements that respect the integrity of familiar melodies while keeping ensemble writing practical and engaging. His work with Eighth Note Publications demonstrates a clear understanding of what works in school and community settings, where the goal is musicality without unnecessary technical complexity.

Why we love this

Marlatt's arrangements balance musical substance with genuine playability. Rather than strip these carols down, he gives each horn its own melodic voice, creating the kind of two-part writing that lets both players feel like they're contributing something meaningful rather than simply accompanying.

What to expect

These arrangements capture the warmth and dignity of Christmas carols without overwrought harmony or unnecessary embellishment. The writing sits naturally for F horn, allowing the inherent lyrical quality of the instrument to shine through on these beloved melodies.

Who it's for

Horn players at the intermediate level who want to experience ensemble playing beyond standard method book duets. This collection works for school concert programs, church services, or any situation where skilled amateurs need repertoire that's both recognizable and musically satisfying.

How to get the most out of it

  • Balance the melody between the two parts by listening carefully in rehearsal. These carols work best when neither horn dominates, creating a blended sound rather than a solo-plus-accompaniment texture.
  • Take advantage of the familiar melodies to focus on tone quality and phrasing. Since your students already know these tunes, they can direct their attention to shaping phrases and matching dynamics across the two parts.
  • Adjust the tempo to suit your performance space. A church sanctuary will carry sound differently than a school gym, and these pieces are flexible enough to breathe at various speeds.
  • Consider the instrumentation flexibility of this series. If you're programming multiple duets from this collection, mixing and matching instruments creates variety for listeners while building ensemble confidence in your students.

How to use it

Build a holiday concert around these duets by pairing them with other small ensemble pieces or featuring different combinations from the collection back-to-back. They also work beautifully for pre-concert performances at community events, where the familiarity of the tunes draws listeners in while the arrangement quality rewards careful listening.

Skills your students will build

  • Maintaining melodic independence while blending within a two-part texture
  • Shaping longer phrases with awareness of the other horn's line
  • Balancing intonation across parallel motion and harmonic intervals
  • Reading and performing at medium difficulty without conductor dependency

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