Just for Two (Christmas) Cover Image

Just for Two (Christmas): 2 Clarinets Part(s)

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Just for Two (Christmas) Cover Image

Just for Two (Christmas): 2 Clarinets Part(s)

Various / arr. David Marlatt

Level: Medium

Item: 81-CC2756

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Description
This is a collection of arrangements of well-loved Christmas music set for two like-instruments. The arrangements are suitable for a variety of performance situations such as school concerts, at church or on Christmas gigs in a community. Pieces included are "Joy to the World," "I Saw Three Ships, "Silent Night," "We Three Kings," "Pat-a-Pan," "Gesu Bambino," "O Come, O Come Emanuel," "Ye Merry Gents," "Still, Still, Still." and "Riu, Riu, Chiu."

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Sample Pages

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Sample Audio
1 Gesu Bambino --:--
2 I Saw Three Ships --:--
3 Joy to the World --:--
4 O Come O Come Emanuel --:--
5 Pat a Pan --:--
6 Riu Riu Chiu --:--
7 Silent Night --:--
8 Still Still Still --:--
9 We Three Kings --:--
10 Ye Merry Gents --:--

Gesu Bambino

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-195-X
ISBN13: 978-1-55473-195-4
UPC: 685462011964
SKU: 81-CC2756
Instrumentation: 2 Clarinets

More about this title

Why we love this

Marlatt's arrangements respect the melodic integrity of each carol while creating genuine musical dialogue between the two parts. Neither clarinet dominates; instead, they trade phrases, weave together, and support each other in ways that keep both players engaged throughout the collection. This is smart scoring that avoids the trap of one player carrying the tune while the other fills in harmony.

What to expect

Intimate and warm. These arrangements strip away the full-ensemble richness of traditional carol settings and replace it with clarity and personal expression. Two voices carrying these beloved melodies create an understated reverence that works beautifully in quieter performance spaces.

Who it's for

Intermediate clarinetists preparing chamber repertoire for holiday performances, whether in school settings, church services, or community events. Duet partners at the same level will find these arrangements immediately playable without complicated technical demands getting in the way of making music together.

How to get the most out of it

  • Balance your tone in the unison passages. Listen to your stand partner's timbre and match it as closely as possible, especially in pieces like 'Silent Night' where the blend sets the emotional tone.
  • Shape the phrases together as a unit. When one clarinet has the melody, the second part is still singing; avoid treating accompanying lines as accompanimental.
  • Mark your part strategically to track when the melody shifts between players. This helps you commit to the role change and stay connected to the overall line.
  • Experiment with slight dynamic pushes where the parts interlock. These moments of transition are where the arrangement sparkles if you give them intentional shape.

How to use it

Slot these into a holiday concert as a chamber break from ensemble pieces, or use them to feature advanced players in a student recital. They're also ideal for pre-concert or between-pieces performance in church settings where gentle, familiar music sets a contemplative mood.

Skills your students will build

  • Balancing tone quality between two independent voices
  • Tracking phrase direction when melody and accompaniment shift between parts
  • Listening to and responding to a stand partner's interpretive choices in real time
  • Performing from a melodic score with integrated two-part writing
  • Sustaining line integrity in non-melodic passages

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