Just a Closer Walk with Thee Cover Image

Just a Closer Walk with Thee: Jazz Ensemble Conductor Score

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Just a Closer Walk with Thee Cover Image

Just a Closer Walk with Thee: Jazz Ensemble Conductor Score

Arranged by Chris Sharp

Grade: 3

Item: 98-JE4072S

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Description
This timeless spiritual classic gets the front burner treatment from Disney writer Chris Sharp. A lush opening chorale gives way to a driving New Orleans street beat with tenor solo (as written or with changes) and an easy shout chorus. A real cooker!

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 241444603086
SKU: 98-JE4072S

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp holds a doctorate and has built a distinguished career spanning performance, composition, and education. As a trombonist, he spent eleven years as a performing musician and bandleader at Walt Disney World, and since 1984 has served as arranger and orchestrator for Disney parks globally, contributing to live shows, recordings, and national broadcasts. His freelance work extends to Universal Studios, the Boston Pops, the Dallas Brass, and service bands including the USAF Airmen of Note.

Sharp remains deeply invested in music education, having taught at middle, high school, and college levels. He currently directs bands at Polk State College in Winter Haven, Florida, where he also teaches theory, technology, and arranging. His concert and jazz band compositions and arrangements have earned regular performances at the Midwest Clinic and multiple ASCAP awards. He has served as a clinician, guest conductor, and adjudicator for organizations including Bands of America and Drum Corps International.

Why we love this

Sharp's Disney background shines through in the orchestration of this arrangement. The lush chorale opening and the infectious New Orleans groove feel polished and accessible without sacrificing musicality, making it genuinely fun for young ensembles to execute. The optional tenor changes give you flexibility to feature your strongest soloist or let the written part do the work, and the shout chorus lands with real energy.

What to expect

A spiritual reimagined through a New Orleans lens. You move from reverent harmony into an irresistible street beat that makes listeners want to move, carried along by a confident tenor voice and the whole band joining in the celebration. It feels simultaneously respectful and joyful.

Who it's for

Jazz ensemble directors seeking repertoire that bridges spiritual tradition with contemporary groove and works for Grade 3 ensembles. This piece rewards groups with solid fundamentals in swing feel and section balance but doesn't demand virtuosic soloists.

How to get the most out of it

  • Balance the full ensemble sound during the opening chorale so the harmonic richness comes through clearly before the groove takes over.
  • Keep the New Orleans street beat propulsive but relaxed; lock the rhythm section into a pocket rather than rushing for intensity.
  • Shape the tenor solo's melodic line with vocal phrasing; treat it as singing on your instrument whether you use the written line or take changes.
  • Let the ensemble respond to the shout chorus with genuine enthusiasm; this moment should feel like an organic peak rather than a forced climax.

How to use it

This works beautifully as a mid-concert piece that shifts energy and mood, especially in a program mixing standards with contemporary arrangements. Consider placing it after something more formal to show your ensemble's range, or use it to close a first half with high spirits.

Skills your students will build

  • Swing feel and syncopation in a blues-inflected context
  • Sectional independence (melody, harmony, groove, solo support)
  • Call-and-response phrasing in the shout chorus
  • Listening and responding to featured soloists in ensemble settings
  • Balancing lush harmonic writing with rhythmic clarity

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