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Just a Closer Walk with Thee: Jazz Ensemble Conductor Score & Parts

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Just a Closer Walk with Thee Cover Image

Just a Closer Walk with Thee: Jazz Ensemble Conductor Score & Parts

Arranged by Chris Sharp

Grade: 3

Item: 98-JE4072

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Description
This timeless spiritual classic gets the front burner treatment from Disney writer Chris Sharp. A lush opening chorale gives way to a driving New Orleans street beat with tenor solo (as written or with changes) and an easy shout chorus. A real cooker!

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Additional Details
Series: FJH Intermediate Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398210428
SKU: 98-JE4072

More about this title

About the Composer: Chris Sharp

Chris Sharp

Chris Sharp earned his doctorate and studied at both the University of Florida and University of Miami, launching a career that spans performance, education, and composition. For over a decade he worked as a trombonist and bandleader at Walt Disney World, followed by decades arranging and orchestrating music for Disney parks worldwide, creating underscore and live performance scores for shows, recordings, and national broadcasts. His work extends well beyond theme parks; he has composed and arranged for Universal Studios, Ringling Brothers and Barnum & Bailey Circus, the Boston Pops, and the USAF Airmen of Note, earning multiple ASCAP Plus awards for his prolific output.

Today Sharp directs the band program at Polk State College in Winter Haven, Florida, where he teaches theory, technology, and arranging while remaining active as a clinician and adjudicator for organizations like Bands of America and Drum Corps International. His arrangements regularly appear on Midwest Clinic programs, reflecting his deep understanding of what works in rehearsal and performance across middle school, high school, and college ensembles.

Why we love this

Sharp takes a spiritual that most ensembles know and rebuilds it with real jazz architecture: the lush chorale creates genuine contrast, the New Orleans groove hits with authority, and the tenor solo space (written or open for improvisation) gives your best player a moment to shine. It's the kind of arrangement that respects the source material while making everyone in the room feel the swing.

What to expect

The arrangement opens with hymnal warmth and reverence, then pivots into a rollicking street parade groove that bounces with genuine New Orleans character. The solo section breathes with swing feel while the ensemble shout sections crackle with joy and drive.

Who it's for

Grade 3 jazz ensembles with strong section leaders and a solid rhythmic foundation. Your group needs enough maturity to handle the style shifts and enough chops to swing the New Orleans feel convincingly.

How to get the most out of it

  • Balance the opening chorale carefully so it sounds spacious rather than heavy; the lush voicing can muddy quickly if the ensemble isn't playing with clarity and space between phrases.
  • Lock the street beat with your rhythm section first, then layer in the horn parts; the groove drives the whole chart and falls apart if the foundation wavers.
  • Let your tenor soloist know whether you want the written solo or changes before rehearsals begin so they have time to prepare either the part or a solo strategy.
  • Shape the shout chorus with dynamic lift in the final section; it's the payoff moment and deserves energy and precision to land as the real cooker Sharp composed it to be.

How to use it

Program this as a spiritual anchor in a concert built around American roots music, pairing it with other folk or gospel arrangements for thematic cohesion. It also works beautifully as a closer or pre-closer when you want to send the audience out smiling with something they might recognize, rearranged.

Skills your students will build

  • Swing articulation and phrasing in a traditional jazz style
  • Balancing chorale transparency with jazz ensemble density
  • Rhythmic precision in New Orleans street beat grooves
  • Solo navigation (both reading and responding to changes)
  • Dynamic contrast between lyrical and energetic sections

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