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Jubilate, Alleluia: 3-Part Mixed Choral Octavo

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Jubilate, Alleluia: 3-Part Mixed Choral Octavo

Words and music by Earlene Rentz

Item: 00-51440

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Description
Here's a jubilant concert and contest selection that's just right for 3-part mixed choirs (with a conservative F-D range for Part III). Based on a single Latin phrase and one in English, the dance-like opening theme is restated in a variety of keys and textures, revealing a rondo form. A glorious descant tops the last A-section, bringing the two-minute piece to a rousing finish.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081589404
SKU: 00-51440

More about this title

About the Composer: Earlene Rentz

Earlene Rentz

Earlene Rentz has spent her career building choral music from the ground up. She taught choral music across all levels in public schools for seven years, then moved into higher education where she taught choral pedagogy and literature for twelve years. Her deep experience in the classroom shaped her compositional voice.

Rentz's catalog reflects her understanding of what works in rehearsal and performance. She has published over 700 choral works with 17 different publishers and has been invited to conduct All-State Choirs in Georgia, Florida, Kentucky, and Alabama. She currently composes full-time from her home in North Carolina.

Why we love this

The rondo structure gives your choir a clear architectural roadmap while the repeated dance-like theme creates immediate memorability. The strategic reharmonization of the opening melody keeps the form fresh without requiring complex part writing, making it accessible for developing singers while still sounding sophisticated in concert. That descant moment at the final A-section lands with genuine impact.

What to expect

The piece radiates genuine celebration. The Latin text anchors it in timeless tradition, while the English 'Alleluia' brings familiarity. The dance-like character emerges from the opening measure and carries through each restatement, creating a sense of spiraling joy rather than stasis.

Who it's for

Three-part mixed choirs at the high school, college, or community level will find this straightforward to learn and satisfying to perform. The conservative range for Part III ensures accessibility without sacrificing musicianship or concert impact.

How to get the most out of it

  • Keep the opening phrase rhythmically buoyant rather than rigid; the 'Jubilate, Alleluia' text benefits from natural speech rhythm even as you maintain ensemble precision.
  • Mark the key modulations clearly in your score before rehearsals begin. The variety of harmonic colors is the piece's strongest asset, and singers respond better to shifts they can anticipate.
  • Balance the descant carefully in the final section without letting it overshadow the harmonic foundation underneath. The added line should sparkle, not dominate.

How to use it

This works equally well as a concert opener that energizes the audience or as a festival selection where the clear formal structure and jubilant character appeal to adjudicators. Its two-minute length makes it an ideal complement to a longer, more introspective piece on your program.

Skills your students will build

  • Rondo form recognition and how text repetition supports structural clarity
  • Modulation between keys while maintaining tonal security
  • Balancing harmonic parts with added melodic lines in the final section
  • Textual clarity across Latin and English phrases in a single composition

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