Joy! A Carol Collection: 20 A Cappella Christmas Favorites: Choir
20 A Cappella Christmas Favorites
Arr. Jay Althouse
Item: 00-PB-0001169
Pickup currently not available
Related Items
Joy! A Carol Collection: 20 A Cappella Christmas Favorite: Choir |
$5.95
|
View | |
Joy! A Carol Collection: 20 A Cappella Christmas Favorites: Choir |
$5.99
|
View | |
Joy! A Carol Collection: SATB, a cappella Choral Book |
$5.95
|
View | |
Joy! A Carol Collection: SAB, a cappella Choral Book |
$5.99
|
View | |
Joy! A Carol Collection: SSA, a cappella Choral Book |
$5.95
|
View |
Description
Joy! A Carol Collection: 20 A Cappella Christmas Favorites: Choir isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Audio File
Sample Video
Additional Details
More about this title
About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His professional background includes eight years as a rights and licenses administrator for a major educational music publisher, during which he served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created more than 800 choral works performed across the English-speaking world and is a writer member of ASCAP, a regular recipient of their Special Award for compositions in standard music.
Beyond composition, Althouse has shaped music education through multiple channels. He has co-written children's musicals with his wife Sally K. Albrecht, compiled respected vocal solo collections including Folk Songs for Solo Singers, and authored or co-authored several influential books: The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios. His collaborative choral work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. Althouse resides in North Carolina and contributes to the folk music community through service on the National Advisory Board of the Folk Art Society of America.
Why we love this
Althouse's arrangements strike a balance that lesser arrangers miss: they honor the melodies singers know by heart while introducing harmonies that feel contemporary rather than archaic. The SSA/SSAA voicings make this collection genuinely accessible to developing choirs without sacrificing the sophistication that makes it rewarding for more advanced ensembles. You'll program from this collection across multiple seasons because the arrangements are durable, singable, and flexible enough for concert hall, community event, or casual gathering.
What to expect
These arrangements wrap the comfort of beloved carols in unexpected harmonic colors. The traditional melodies ground you in the familiarity of the season, while the modern voicings pull you into fresh emotional territory, creating a listening experience that feels both welcoming and genuinely new. Sung a cappella, every voice becomes essential; the result is intimate and immediate.
Who it's for
This collection serves choirs of various sizes and skill levels, from developing high school and community groups comfortable with SSA voicing to more experienced ensembles exploring SSAA options. It works equally well for formal concert programming and informal seasonal gatherings where singers want familiar repertoire with a contemporary twist.
How to get the most out of it
- Listen to how the modern harmonies sit against each traditional melody before rehearsal. Identifying where the harmonic language shifts will help you cue singers into moments that need special attention and prevent them from defaulting to versions they think they know.
- Balance the blend carefully in passages where Althouse layers different harmonic movement across voices. These moments define the collection's contemporary identity, so resist the urge to level everything into traditional choral sound.
- Consider the acoustic demands of your venue. A cappella arrangements expose every voice line, so a smaller group in an intimate space may achieve clarity that a full choir in a large hall struggles to maintain without careful rehearsal work on diction and ensemble precision.
How to use it
Program a selection of these arrangements in a concert devoted entirely to holiday repertoire, letting the variety within this single collection provide structural shape and musical contrast. They also work effectively as a cappella bookends for a longer holiday concert that features other choral styles, or as a complete program for community caroling events where flexibility in ensemble size becomes an asset.
Skills your students will build
- Reading and balancing modern harmonic language against traditional melodic structures
- Singing a cappella with attention to ensemble pitch maintenance and intonation across changing harmonies
- Voice independence in flexible voicing options (SSA and SSAA configurations)
- Diction clarity and individual voice line projection without instrumental support
- Contextual musicality in interpreting how traditional melodies function within contemporary harmonic settings