Joy! A Carol Collection: 20 A Cappella Christmas Favorites: Choir
20 A Cappella Christmas Favorites
Arr. Jay Althouse
Item: 00-PB-0001168
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About the Arranger: Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His two decades in music publishing included eight years as a rights and licenses administrator and a term on the Executive Board of the Music Publishers Association of America, work that shaped his deep understanding of what choirs need and want to sing.
As a composer, Althouse has over 800 choral works in active circulation across all ability levels, performed regularly in English-speaking countries and beyond. He holds membership in ASCAP and is a frequent recipient of their Special Award for compositions. Beyond his prolific output as a composer and arranger, he has co-written children's musicals with his wife Sally K. Albrecht, edited celebrated vocal solo anthologies, and authored widely-used classroom resources including The Complete Choral Warm-up Book and Accent on Composers. Althouse serves on the National Advisory Board of the Folk Art Society of America and currently resides in Wake Forest, North Carolina.
Why we love this
Althouse's skill at reharmonizing carols without losing their essential character shines here. He layers unexpected harmonic colors onto melodies singers already know, which means your choir gets the satisfaction of familiarity plus the engagement of discovery. This collection works equally well for a polished concert performance or a casual community caroling session, giving you real flexibility in how you deploy it.
What to expect
These arrangements feel both anchored and contemporary, blending the timeless comfort of beloved carols with unexpected harmonic turns that catch the listener's ear. The SAB scoring keeps voices in an easy, accessible range, allowing singers to focus on the musicality of the arrangement rather than technical struggle. There's brightness and joy here, but also sophistication in how Althouse lets modern harmony enrich rather than displace the carols' essential character.
Who it's for
This collection serves any choir looking for fresh carol arrangements that respect tradition while offering musical substance. It works for school choirs, community groups, church ensembles, and small vocal groups seeking flexible repertoire for holiday performances, door-to-door caroling, or informal seasonal gatherings.
How to get the most out of it
- Balance the three parts carefully in your rehearsals, particularly in passages where the modern harmonies create less obvious voice leading. Use sectional rehearsals to let each part hear its melodic line clearly before blending.
- Since these arrangements sit comfortably for SAB voicing, trust the comfortable tessitura and focus rehearsal energy on intonation rather than strain. The voices should feel easy and resonant.
- Record a rehearsal early and listen back as an ensemble. Hearing yourselves will quickly reveal where the contemporary harmonies need clearer articulation or where traditional instincts are pulling singers off the arranged harmonies.
- Vary your vocal production across different pieces. Some carols thrive with a warm, darker tone; others with these modern harmonic twists benefit from brightness and clarity.
How to use it
Slot these into your December concert as a full carol suite, or cherry-pick individual arrangements to anchor different program sections. They're equally at home as opening or closing pieces, and the accessibility of the voicing makes them strong candidates for involving younger singers or community participants in your holiday concert. The collection's variety also makes it ideal for rehearsal flexibility during busy season weeks when full ensemble time is limited.
Skills your students will build
- Singing parallel and secondary dominant harmonies without losing intonation
- Balancing blend when traditional voice leading assumptions don't apply
- Recognizing and interpreting harmonic colors and their emotional effect
- Flexibility in vocal production across contrasting harmonic styles
- Secure part-singing in three-part mixed voicing